Word: meloni
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...spring to life, highlighting the rhythm of the short stories and giving each narrator a distinctive personality. One scene which occurs outside the interview room involves a conversation between two businessmen, which perfectly tunes Wallace’s prose to their bitten-off speech patterns. Test Subject #3 (Christopher Meloni) brings a bitterly funny tale to life when he launches into the colorful story of seeing a girl crying on the ground at Dayton airport “bent over so you can, you know, just about see her tits. Totally hysterical and with the waterworks and all like that...
...clever cinematographic twist, Meloni reenacts the flashback while narrating. His buddy joins him and they stand over the bawling girl with coffee cups in hand, casually observing her breakdown. Meloni narrates over the entire sequence, explaining that the girl was waiting for a man who never came; in another elegant shot, the film cuts back to her waving goodbye to her lover as he ascends the airport escalator, Meloni and his companion descending the parallel escalator, still talking, just moments later. Far from being merely a gimmick, this technique highlights the implicit interactivity of the interviews—not only...
...fast talking undergrad, who employs the victim defense to improve his grade. In a gleeful little sequence, Josh Charles gives the same speech five times over to break up with different women. The less hideous men, the ones who describe being actually touched by women, like Krasinski and Christopher Meloni (whose bit feels inspired by In the Company of Men) come across as lost and rather foolish boys...
...prison drama OZ, Christopher Meloni plays Chris Keller, a viperous predator. On NBC's Law & Order: Special Victims Unit, he's dogged cop Elliot Stabler. So he's an ideal choice to play one of the media monde's great Jekyll and Hydes: Mark Fuhrman. Fuhrman showed up in our living rooms during the O.J. Simpson trial as the cocky L.A. cop who had found the bloody glove. He testified to not having said "nigger" in the past decade; the defense found a taped interview through which he sprinkled the epithet like jimmies on a sundae, then used his perjury...
...Meloni transcends the script, playing Fuhrman slyly, as a charismatic boor with a lizardy grin. But his performance only reminds us what the story could have been if told by someone not so close to the hero. As it is, it's a trite but inadvertently intriguing whodunit about a bitter adolescent whose vanity and resentment make him act out in ugly ways. Oh, and it's about Michael Skakel too. --By James Poniewozik