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...doesn't take much to make me melt, either. Any vaguely romantic scene will...

Author: By June Shih, | Title: Living The Romantic Moment | 2/13/1992 | See Source »

Page 75 is a total melt down. On that page, one of the voices of the polylogue (a technique Derrida has used before, most successfully in "Restitutions" in The Truth in Painting--he's always doing things like that) says that the initial consonant in the word cinder doesn't matter much to Derrida "every word seems to finish with () inder." But the French version says that every words seems to finish with "()endre" (the ending of cendre) "ou ()andre." In "andre," we have allusions to both "androor" "human" and "Anderer," the German "other...

Author: By J.d. Connor, | Title: Derrida's Cinders | 1/30/1992 | See Source »

Like love songs and The Wonder Years, this book should not be taken in large doses. After reading too many essays in one sitting, they tend to melt together into one lump of sappy, sentimental...well, fill in your own alliteration. The essays lose force because their cute outcomes become predictable. For example, Schnur constantly decorates this stories with "coincidental" meeting with pretty girls and over-blown adoration by neighborhood children...

Author: By Howie Axelrod, | Title: Kinder, Gentler Essays | 1/30/1992 | See Source »

...decade, the geek visionaries at Industrial Light & Magic concoct a special effect that wows even jaded, high-tech-savvy audiences. The latest is morphing, as in metamorphosis, a technique that reduces a film image to a numerical code that a computer can manipulate almost endlessly. One image can melt into another, for example, as when Linda Hamilton turns into Robert Patrick in Terminator 2, right, or when disparate races, genders and ages blend together in Michael Jackson's video Black or White...

Author: /time Magazine | Title: Best of 1991: DESIGN | 1/6/1992 | See Source »

...decade, the geek visionaries at Industrial Light & Magic concoct a special effect that wows even jaded, high-tech-savvy audiences. The latest is morphing, as in metamorphosis, a technique that reduces a film image to a numerical code that a computer can manipulate almost endlessly. One image can melt into another, for example, as when Linda Hamilton turns into Robert Patrick in Terminator 2, right, or when disparate races, genders and ages blend together in Michael Jackson's video Black or White...

Author: /time Magazine | Title: Best of 1991 | 1/6/1992 | See Source »

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