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...Jeff Melvoin, covering his first campaign for TIME, recalls the sight of G. Carlton Snowe helping his daughter-in-law Olympia Snowe win a seat in Congress from Maine. Reports Melvoin: "A big, broad man with an easy outdoor manner, 'Carlie' greeted his neighbors as they came to vote. As I drove away in the bleak New England afternoon, his white hair made him easy to pick out: a large figure bundled up against the cold wind, with a warm word for each passerby, going the last mile for his daughter...

Author: /time Magazine | Title: A Letter From The Publisher, Nov. 20, 1978 | 11/20/1978 | See Source »

...Many More Times, and expanded the Boston sound from there. But Scholz slips his music through so many acoustical refinements that the result is one part raw energy, another part applied science. "I was really annoyed about the first album," Scholz told TIME's Jeff Melvoin. "My primary love of the sounds of rock 'n' roll-guitars-didn't come through the way I wanted." So this time out, Scholz, who has an M.S. in mechanical engineering from M.I.T. and six years working at Polaroid behind him, started asking questions. "Engineers would tell me, 'This...

Author: /time Magazine | Title: Music: Boston's Sonic Mystery Tour | 9/25/1978 | See Source »

...things that would sound like the gamut of modern drama cliches if they weren't so funny onstage. It should really be taken in like a dose of laughing gas--without thinking about anything, just relaxing yourself into a body-wide grin. This production, directed by the talented Jeff Melvoin, was reviewed in yesterday's Crimson. It's not a perfect staging, but enough of Stoppard's near-perfect brilliance comes through to make it an enjoyable evening. Tonight, Friday, and Saturday night at 8 p.m. at the Loeb Main stage...

Author: By Paul K. Rowe, | Title: THE STAGE | 3/27/1975 | See Source »

...Melvoin's superb fall production of Philadelphia Here I Come, the overlapping ambiguity between the two characters who play the schizophrenic selves of one person made for a rich interplay. Melvoin has consciously chosen to differentiate very clearly the two main characters in Rosencrantz. Jeff Rubin as Rosencrantz plays a good Yiddish Sancho Panza character who alternates between dawdling silliness and self-indignant outrages over nothing. But our comic response is much more problematic towards Guildenstern (Steve O'Donnell), played as a brooding almost Hamlet-like character who utters Stoppard's lines dripping with metaphysical existentialisms as if they were...

Author: By Ta-kuang Chang, | Title: Not Hamlet, Nor Meant to Be | 3/26/1975 | See Source »

...PHILADELPHIA, Melvoin's specialty is the rapid-fire repartee. Rubin and O'Donnell are a brilliant duo when let loose. And in a word-spitting duel like the Questions Game (where each must retort with a question), the verbal fireworks are dazzling. Chris Minkowski, a properly regal Claudius, looks like he's still savoring his triumph as last fall's production of Stoppard's The Real Inspector Hound. The mimed deaths of the Tragedians, choreography by David Fechtor, resemble the last writhing gasps of fish drowning in air, and coordinate well with the heavy rope-netting...

Author: By Ta-kuang Chang, | Title: Not Hamlet, Nor Meant to Be | 3/26/1975 | See Source »

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