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...insist that they have not confined their history to the seamy politics of Warren Gamaliel Harding, no one who remembers the Teapot Dome scandal will feel obliged to believe them. Not that telling the truth is bad theater, but in this case it does not seem to pay. Melvyn Douglas does nobly as the ash-flaked, unbuttoned ex-Senator trying to forget the presidency, an office he neither understands nor is fitted for, and veteran Comedian Bert Wheeler is a natural as his poker-playing sidekick. But, reported the Philadelphia Bulletin, it is "a curiously unfocused play." Authors Lawrence...

Author: /time Magazine | Title: Show Business: Report from the Road | 10/5/1959 | See Source »

Playhouse 90 (CBS, 9:30-11 p.m.). Rerun of one of the brisker shows of last fall. Melvyn Douglas plays a political war-horse returning from retirement to become a special assistant to the President...

Author: /time Magazine | Title: CINEMA: Time Listings, Aug. 17, 1959 | 8/17/1959 | See Source »

Playhouse 90 (CBS, 9:30-11 p.m.). Judgment at Nurnberg, a dramatic semidocumentary, with Claude Rains, Melvyn Douglas...

Author: /time Magazine | Title: THEATER: On Broadway, Apr. 20, 1959 | 4/20/1959 | See Source »

...modern classic, Juno and the Paycock is fashioned around characters who escape the last-act curtain and become dramatic immortals like Hamlet, Tartuffe, and St. Joan. Captain Boyle, the strutting Paycock, is a Homeric boozer, braggart and whine. With a sea-rolling gait and a gravelly brogue, Melvyn Douglas makes him an amiably puckish buffoon but scarcely a Dublin Falstaff. O'Casey's Juno has a spiny tongue for her shiftless husband, but she is also an Earth Mother of Sorrows. Her unmarried daughter becomes pregnant; her son loses an arm to the British and his life...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Mar. 23, 1959 | 3/23/1959 | See Source »

...songs and dances that punctuate the destinies of the Boyle family often appear to be crashing the show. Melvyn Douglas kicks up a clog with a couple of cronies in a pub, and suddenly all Dublin floods onstage to sing that he's a Daarlin' Man, and hoist him on its shoulders. The intimate numbers are best. An Agnes de Mille solo, powerfully danced by Juno's doomed son (Tommy Rail), makes a poignant moment out of the life-destroying blight of Ireland's "Troubles." Two lovers' laments, One Kind Word and For Love, affectingly...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Mar. 23, 1959 | 3/23/1959 | See Source »

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