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Proceeding, perhaps, on the tenable theory that what they had in hand was a revival of O'Casey's play with occasional interpolated musical numbers, the producers engaged Melvyn Douglas and Shirley Booth to play Captain and Mrs. Boyle. Nothing in their performances compensates for their egregious violation of the rule that he who can't sing, shouldn't. Mr. Douglas at least does a good gruff job on what emerges as a thoroughly nasty character, but Miss Booth, in what should be a congenial role, seems almost uncomfortable; her famous infectious warm-heartedness is unaccountably missing, as well...

Author: By Julius Novick, | Title: Juno | 2/9/1959 | See Source »

...first opera, Alfred, when he was ten ("I spent a great deal of time block-lettering the title at the top of the score"), eventually won a graduate scholarship to Juilliard, studied composition with craggy Modernist Roger Sessions. He arrived on Broadway "purely by fluke" when he persuaded Melvyn Douglas to let him write new incidental music for a Broadway production of Sean O'Casey's Within the Gates. That was in 1934, and since then Composer-Conductor Engel has had a hand in such diverse Broadway shows as Maurice Evans' Hamlet, The Trojan Women, A Streetcar...

Author: /time Magazine | Title: Music: Man-About-Music | 12/8/1958 | See Source »

...United States Steel Hour (CBS. 10-11 ` Melvyn Douglas, who was done in in The Plot to Kill Stalin, stays zestfully alive this time as a middle-aged surgeon whose appointment to a top post seems threatened by his hankering for a young model (Nancy Olson...

Author: /time Magazine | Title: CINEMA: Time Listings, Nov. 10, 1958 | 11/10/1958 | See Source »

Moscow really had little to complain about. Worse charges than a simple little murder have been brought against Russia's masters, and, as acted by old Matinee Idol Melvyn Douglas, Stalin nearly emerged as a grand old man. But New York Times Critic Jack Gould thought the cloak-and-daggerotype-which mixed painstaking research with fantastic guesswork-an insult to a government "with which this country maintains formal, if very strained, diplomatic relations." The Soviet Ambassador to the U.S. agreed. "Smiling Mike" Menshikov called the play "a filthy slander against the Soviet Union . . . incompatible with international standards." With that...

Author: /time Magazine | Title: Show Business: The Plot to Kill CBS | 10/20/1958 | See Source »

...natural; without a bit of special makeup he was Georgy Malenkov's double. Luther Adler fitted smoothly into place as Molotov, Oscar Homolka as Khrushchev, E. G. Marshall as Beria. Stalin was harder to cast. After considering Laurence Olivier and José Ferrer, Coe decided on Melvyn Douglas, whom he had admired as Clarence Darrow in Inherit the Wind...

Author: /time Magazine | Title: Show Business: Who Is the Brute? | 9/29/1958 | See Source »

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