Word: memlic
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...been brought together at Harvard. They follow the history of the art of Flanders from the beginnings of the Renaissance until it was superseded by Italian ideals in the middle of the sixteenth century. There are examples of nearly every Flemish master during this period--Mabuse, van der Weyden, Memlic and their contemporaries. These pictures compare interestingly with the Italian artists in the same room. The Southern painters strive for idealism and for decorative perfection. The Flemings care more for reality and are at their best when they get away from the conventional religious subjects; in their backgrounds, their portraits...
From the mediaeval painters there are several examples by Roger van der Weyden, Hugo van der Goes, Hans Memlic and Albert Bonts. Significant in the Renaissance group are examples by Marcellus Koffermans, Girard David, Quentin Metsys and Jan Gossart--called Mabuse. Several of the so-called minor Flemish artists are represented by the anonymous Master of the Legend of St. Ursula; the Antwerp Master from Hoogstraaten, Joachim Patinir, Joose van Cleef, Colun de Loter, and the Franco-Fleming, Jan Prevost...
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