Word: memoirs
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...deputy chief of staff, Michael Deaver was the protector and projector of Ronald's and Nancy Reagan's public images. He was the "Vicar of Visuals," master of the carefully managed photo opportunities that became a hallmark of the Reagan Administration. Yet again and again in this intendedly affectionate memoir, he offers up intimate snapshots that undercut his previous handiwork...
Something was stirring, all right, not only in the Batcave but also on the fringes of cultural experimentation. There another writer-artist, Art Spiegelman, brought forth Maus, a black-and-white line-drawn memoir of Hitler's Germany, where the Nazis are cats and the Jews are mice. Like The Dark Knight Returns, Maus (Pantheon; 159 pages; $8.95) came out in 1986. Warner has 80,000 copies of Knight in print. Pantheon reports that Maus, after eight printings totaling more than 100,000 copies, still sells an average of 1,000 a week. Spiegelman's tale is a hellish metaphor...
...which he was assigned between 1942 and 1944. The troops carried out brutal reprisals against Yugoslav resistance fighters and deported Greek Jews to Nazi death camps. The book further asserts that Waldheim dropped all mention of his Balkans service from the 278-page English-language edition of his 1985 memoir, In the Eye of the Storm, only to meet space requirements...
...stage for celebrity posturings, the critic recast himself as a potential star, offering himself as an international social critic and sexual reformer. And became just another face in a crowd grotesquely clamoring for attention. The life his second wife, Kathleen, recounts in her uncompromising and ultimately harrowing biography-memoir becomes the record of a befuddled search for the fulfillment of youth's inordinate promise, and for the graceful exit Tynan never found...
...Spielberg decided to take the manly course of growing up onscreen. Adapting J.G. Ballard's fictionalized memoir of his days spent scavenging for survival in a Japanese concentration camp, Spielberg and Playwright Tom Stoppard (Travesties, The Real Thing) do a reprise of the director's favorite narrative recipe. A child is separated from his parents, confronts adversity and is reunited with them. But here the child is not abducted by poltergeists < or locked in a De Lorean time warp. Young Jim (Christian Bale) loses his way because, in the tumbledown panic of escape from Shanghai, he reaches for his precious...