Word: men
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Dates: during 1960-1969
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...seriously. So they took us seriously when we were only dealing with symbols. They sent Dartmouth students to jail for 30 days, and they fired on young people in Berkeley with shotguns filled with buckshot and birdshot and rock salt, and they killed one man--a white man. Black men died in colleges before, at Orange-burg last year and before and since. But hen they killed a white man, which was turning against their own. The game is over now. While it lasted, it was our own, what we did, our education, our exhilaration. They said we were zealous...
...Kahn's most memorable scene is still to come, when Henry is handed the list of "the names of those their nobles that lie dead." As he recites the long roster, name by name, a score of men gradually come on stage each wearing a ghostly white mask splotched with fresh blood. Finally the King intones the incipit of a Te Deum, and the ghostly choir picks it up in unison and, in the manner of the Living Theatre, moves down-stage to face the audience in a long row, humming and swaying from left to right--an inspired fusion...
Mosley recreates a climate of haplessness. French Premier Edouard Daladier, Czechoslovakia's President Eduard Beneš and even Mussolini seemed as out of step with history as Chamberlain. They were obsolete men (in the McLuhan sense) when compared to an eerily turned-on Hitler. Czechoslovakia, with a modern air force and a well-trained army, put up no resistance. It was, alas, Poland that stood firm: the only trouble was, as Mosley observes, "When the Poles saber-rattled it was actually sabers they were rattling...
...public tragedies tend to become cautionary tales. Survivors of Munich have learned a lesson by heart: appeasement is a loser's game. But today, most men are not so sure as they once were of just what constitutes "appeasement"-or whether a policy of "get tough" is a winner's game either. Still, if the tactical lessons of Munich seem less and less simple to apply, its moral implications are not. The tragic events of history, so often in retrospect accepted as inevitable, were shaped by human will and wisdom-or the lack of them...
...Hollywood haunted by the Old Hollywood, which comes on as a fond, hapless parody of itself. Confronting him in his office are three William Morris agents and a portly director named Henry Koster, who wants to match a 1937 Koster triumph (Deanna Durbin and Leopold Stokowski in A Hundred Men and a Girl) with a new musical concoction. Koster outlines the story. A touring symphony orchestra is about to return to New York to put on a charity program "for crippled children." The cymbal player comes down with a contagious disease in Moscow ("We can work out the disease later...