Word: men
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Dates: during 1970-1979
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...sending Isaac Asimov to Pluto, or the time Mr. Sulu's left ball was shot off by Klingons. It's worse at Dracula conventions: the plastic fangs they wear inhibit conversation, and instead of meeting tall, gaunt, Continental types they find only themselves, or else fat, greasy middle-aged men. The shock of recognition: it's like casting a vampire into the sunlight...
...INDONESIA. Its poorly equipped army of 180,000 men is used for internal security on an archipelago that includes more than 3,000 islands. It packs no offensive punch, the logistics are wretched and communications all but impossible. The Indonesian navy, one of the largest in Asia, has three submarines, eleven frigates and 22 large patrol craft. The air force has 28,000 men but only 32 combat aircraft-some of them out of service because of a lack of spare parts...
More than building the first atomic bomb, more even than putting the first men on the moon, the creation from scratch of an entirely new industry to produce synthetic fuels would be the most ambitious technical venture that the U.S. has ever undertaken. From outright subsidies to price guarantees, the Government would offer many incentives for private firms to produce oil-like liquids and natural gas from the nation's plentiful coal, shale rock and biomass.* Congressmen are infatuated with the idea of synthetic-fuel production. Cracks Representative Clarence Brown of Ohio: "Every committee in Congress has a synfuel...
...idea is marvelous: send a gentle, pious and very stupid young Polish rabbi to the U.S. in 1850 to take over a congregation in wicked San Francisco. Shlepping his way overland from Philadelphia, he will be tricked by con men, be friended by a lonesome bank robber, roasted by the desert sun, frozen by mountain storms, captured by Indians, and from sea to shining sea, he will cause wise men to marvel at his unparalleled and in exhaustible nitwittedness. With Gene Wilder as the woodenheaded rabbi and Harrison Ford as the lovable bank robber, what could go wrong...
...kind of war-zone chaos, with scenes filmed as fast as writers typed them. When one of the cast inquired politely about the plot, Director Michael Curtiz shouted, "Actors! Actors! They want to know everything." Ingrid Bergman complained that she did not know how to act toward the two men because she didn't know her fate. Screenwriter Julius Epstein told her simply, "As soon as we know, we'll let you know." Finally, the director decided to shoot both endings. The first exit-Bergman flying off with Henreid-left Bogart looking so good and noble and selfless...