Word: men
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Dates: during 1970-1979
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...major complaint was brought up by the men: Why weren't female entities visiting them? Females were then given a role. Barham recruited them to engage in sexual relations by acting as "channels" for entities. Said one: "Jay told me if I practiced hard enough the entities would really come through me. He had me thinking it wasn't really me out there." Barham also taught participants that they had all lived during the time of Jesus and had been among his disciples. Says one woman, recruited as a channel: "He appealed to my ego and really hooked...
...nascent Bruce era is as different from the expired Hayes regime as the two men are different in appearance and temperament. Hayes is the epitome of the gravel-voiced, granite-jawed football fascist. Bruce is central casting's version of a small-town insurance agent: a paunchy, balding disciplinarian who softens his sternness with an open, gentle-eyed manner. "He looks like one of the Seven Dwarfs," says an old friend. The Ohio State team, riven by feuds among assistant coaches in recent years and demoralized by Hayes' abrupt departure, has welcomed the change. Says Sophomore Split...
...drugs, it has almost nothing to do with the '60s or the counterculture. The movie's true setting is the timeless never-never land of Hollywood kitsch; The Rose is a definitive catalogue of A Star Is Born clichés. The heroine battles with booze and men and show-biz tycoons, but somehow always manages to get out onstage and give a hell of a show. She has only two temperaments, childlike vulnerability and childish tempestuousness. The howler-ridden script makes little effort to tie these bromides to a plot or flesh them out with psychological insights...
...film is not entirely cliché-free. The character played by Mason is a fairly standard woman-doctor stereotype: pretty but prim, with deep-frozen attitudes toward men and a sharp tongue, at first, for the handsome radiologist (Michael Brandon) who wants to cuddle. Oddly, it is the teen-age romance that escapes stereotype: the scenes between Buffy and her boyfriend (Paul Clemens) are remarkably real and touching. In balance, the film is decent and compassionate, and truthful enough not to disguise too much the fact that truth can hurt terribly. -John Skow
Many Pritchett fictions deal with styles of preserving one's dignity. How does an aging botanist confront the energies of his lovely 25-year-old companion? Carefully, as the author illustrates in the title story of his latest collection: "There are rules for old men who are in love with young girls, all the stricter when the young girls are in love with them. It has to be played as a game." Love, of course, is never a game, especially in a December-May romance where the older party keeps one eye on the clock and the younger does...