Word: menahem
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Dates: during 1980-1989
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Established in 1939 as a cozy little celebration of film art, the festival is now a giant bazaar, full of hagglers and houris, that draws 35,000 visitors each May. Israeli-born Producers Menahem Golan and Yoram Globus, now based in Los Angeles, set up shop at the posh Carlton Hotel, and by the end of the 13-day festival their company, the Cannon Group, had cut $65 million worth of movie deals. Or was it $90 million? When money talks in this town, the details sometimes get lost in translation...
...Hollywood it was being kicked around as "Bo's boo-boo." And for a while it did appear that Bolero, the latest eyebrow-raiser starring the original 10, Bo Derek, 27, and directed by Husband John Derek, 58, might never be released. The reason: Israeli Executive Producers Menahem Golan and Yoram Globus, who sank $7 million into the film, and MGM/UA, the studio set to distribute it, found the story of Bo's fling with a seemingly impotent Spanish bullfighter overstacked with single entendres. The Dereks were asked to cut some of the steamier scenes in order...
...dozen official selections are shown, film buffs file in at 1 in the morning for Hans-Jürgen Syberberg's rendering of Wagner's Parsifal. Nearly five hours later they stagger out into the dawn's hazy light, exhausted and exhilarated. In midafternoon, Menahem Golan, the Israeli producer who now heads his own distribution company, sits on a teeming Carlton terrace flanked by Stalin-era-size posters of his stars: Faye Dunaway, Robert Mitchum, Brooke Shields, Lou Ferrigno. "I have sold a million dollars in film rights each day at Cannes," Golan purrs...
Beaux Arts Trio--Menahem Pressier, plano, Isldore Cohen, Vtolin, and Bernard Greenhouse, cello; music of Haydn, lyes and Mendeissohn; Sanders Theater...
From the piano bench, Menahem Pressler glances over his shoulder at his two companions, violinist Isidore Cohen and cellist Bernard Greenhouse, each seemingly lost in concentration. Yet the audience hears what the musicians themselves feel: that they are not three performers, but one--one spirit bringing three instruments into unison. Each man is sensitive to the varying moods of his two companions: if one shows signs of interpreting the piece in a special way, the other two pick up on it and follow his lead. "The raising of an eyebrow, the way a phrase is constructed," explains Greenhouse, "can tell...