Word: menckenism
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...from whoever is responsible for keeping the transitions quick and neat, and with their voices often drowned in loud, sloppy musical accompaniment, all but two performers are less than captivating. These exceptions save the evening, and prove that the entire project is not as overambitious as it appears. Max Mencken, the Planet's gossip columnist, and his secretary Sydney are a corrupt, tawdry couple who are infinitely more attractive than the wooden romancers Superman and Lois Lane. Sydney, played by Jackie Shapiro, seduces Clark Kent like a pro when she sings "You've Got Possibilities" and her mincing walk gives...
...mind and responsibility to the commonweal. By night he juggles his "family" of six girl friends. Most of the girls have an illustrative neurosis. But after more than 100 pages of Kovell's describing his curative powers in tedious Deep Throat detail, it is time to reconsider H.L. Mencken's endorsement of monogamy as convenient and hygienic...
Harvard news began to be more interesting and the reporting of it more challenging, in the mid-20s. One bright spot was The Crimson's coverage of the arrest of H.L. Mencken in Boston for selling the April 1926 issue of The American Mercury. Mencken gave The Crimson an interview and lashed out at the Watch and Ward Society leader who had engineered his arrest. The 1927 "riot" in the Square, a police-instigated incident which embroiled the City and University in controversy, received several feet of column space in the Spring of 1927, including an extra story with...
...LANGUAGE of black Americans has long been subjected to racist analyses. Unable to understand a language that sounds superficially like a shirring of their own, white scholars have concocted a variety of theories to explain the speech patterns of Afro-Americans H. L. Mencken wrote in his influential The American Language. "The Negro dialect as we know it today seems to have been formulated by the songwriters for the minstrel shows." Mencken, in his typically culturally-biased manner, simply assumed that blacks were incapable of constructing their own language, and were only able to mimic what they heard in traveling...
...around at bargain prices for some time, but his laughs are not cheap. The outrageousness of his comic vision and the sinister coils of his prose beg comparison with William Burroughs. Survivors of the 1920s Harlem Renaissance may also be reminded of the orneriness of George Schuyler, the Black Mencken. Mumbo Jumbo is set-or rather cut loose-in the Harlem of the '20s, although Reed's ideas of renaissance slide all the way back to ancient Egypt. Like a street-hustling Norman O. Brown, Reed jives Western civilization into its mythological parts. There is the power...