Word: mendelssohnã
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...Paine Hall, one of the only slutty bunny-free venues on campus Saturday night. Unsurprisingly, Bach Soc kicked off their 2006-7 season with Bach’s Suite for Orchestra No. 1. With a program that also included Samuel Barber’s Adagio for Strings and Felix Mendelssohn??s Symphony No. 3 (“Scottish”), the orchestra demonstrated their facility with a range of musical styles. Music Director Aram V. Demirjian ’08 proved himself to be an excellent conductor, beyond his archetypal shock of hair—think Seji Ozawa?...
...Music 93r: Supervised Reading and Research,” or solo piano performances in both Paine Hall and the Calderwood Courtyard in the Fogg Art Museum.One of the largest groups in the Performance Fair is the Mozart Society Orchestra (MSO), which is playing Mendelssohn??s “Violin Concerto in E minor.” MSO—which will feature soloist Sandy M. Cameron ’09, the winner of the organization’s Freshman Concerto Competition—will take the stage in Sanders Theatre at 1 p.m. At the same time, Yoko...
...next selection, Felix Mendelssohn??s “Concerto for Violin and Orchestra,” was dominated by the masterful performance of guest violin soloist Jae Young “Ariel” Jeong ’07, co-concertmaster of the Harvard-Radcliffe Orchestra...
...works, BachSoc will further embellish its celebration of Mozart’s legacy by performing a piece by Heitor Villa-Lobos. The Brazilian composer’s Sinfonietta No. 1, written in 1916, was created to honor the memory of Mozart. Rounding out the program will be Mendelssohn??s Violin Concerto in E Minor. The composition will feature Ariel J. Jeong ’07. Jeong, who is also co-concertmaster of the Harvard-Radcliffe Orchestra, outfiddled a bevy of other musicians this past January to win the BachSoc’s annual two-day Concerto Competition. This...
...following piece, Felix Mendelssohn??s verleigh’ uns frieden, opened beautifully, with bassoon and bass accompanying the chorus. This Lutheran prayer for peace was moving and skillfully handled by both chorus and orchestra. There were a large number of musicians on the stage for such a small performance venue, and both ensembles controlled their expression brilliantly, resulting in an emotive and comprehensible dialogue between the instruments and voices...