Word: mendelssohns
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...will be played at the Pops concert at 8.15 o'clock: Overture to "Masaniello" Auber Waltz of the Flowers Tchalkovsky Fantasic, "Madam Butterfly" Puccini Songs by Wellesley College Choir Scenes Pittoresques Massenet a. Air de Ballet b. Fete Boheme The Swan Saint-Saens Violoncello Solo: Jacobus Langendgen Rondo Capriccioso Mendelssohn a. Organ Solo: Finale Lemmens Prof. H. C. Macdougall b. Choir: Wellesley Medley Overture to "The Flying Durtchman" Wagner Indian Lament Dvoraki-Krellsler Pomp and Circumstance Elgar
...Tufts night, will be as follows: Cortege from "The Queen of Sheba" Gounod Overture to "The Merry Wives of Windsor" Nicolar Fantasia, "Fedora" Giordano Tufts Songs Overture "Euterpe" Chadwick Symphonic Poem, "Finlandia" Sibelius Carnival in Paris Svendsen Tufts Songs Ride of the Valkyries Wagner Waltz "Estudiantina" Waldteufel Wedding March Mendelssohn...
...following is the program which will be played at the Pops concert at 8.15 tonight in Symphony Hall under the direction of Agide Jacchia: Polonaise Militaire Chopin Overture to "William Tell" Rossini Spring Song Mendelssohn Fantasia from "Madam Butterfly" Puccini Suite from "Carnaval" Schumann-Jacchia a. Preamble b. Pierrot c. Chopin d. Reconnaisance e. Sphinxes Trombone Quartet Scherzo, "The Flight of the Bumble Bee" Rimsky-Korsakov Tenth Hungarian Rhapsody Liszt Prelude to the "Mastersingers of Nuremberg" Wagner The Music Box Liadov Waltz, "1001 Nights" Strauss...
...program, which follows, is made up of Hebrew Folk Songs or music by famous Jewish composers. Overture, "Le Baruffe Chiozotte." Sinigaglia In the Garden, from "Rustic Wedding" Goldmark Reve Angelique Rubenstein Fantasia from "The Tales of Hoffman" Offenbach Suite from "Shulamith" Goldfaden Scherzo from "A Midsummer Night's Dream" Mendelssohn Fantasy on two Hebrew Folk Tunes Levinson Eili, Eili Arranged by Jacchia From Cradel to Chuppe Gideon-Jacchia Waltz, "The Skaters" Waldtenfel Coronation March from "The Prophet" Meyerbeer
...Mendelssohn will be Professor Hill's subject in Music 3 this morning in the Music Building at 12 o'clock. Again 1 must propose an alternative to myself. Professor Conant is lecturing in Fine Arts 3a at the same time in Robinson Hall on "The Derivation of the Christian Church." I have always had an idea that many architectural points in a Christian church could be traced back to nature worship of the crudest sort I would like to know about the origin of a church steeple, for instance...