Word: mendelssohns
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...play in ensembles with names like Pro Arta Antarctica, believes Bach must never be played away from the harpsichord and organ. In the artistic center of the interpretive storm are a number of impeccably good pianists who play Bach's music better than it has been played since Mendelssohn resurrected the St. Matthew Passion in 1829. The best of these are Rosalyn Tureck and Glenn Gould...
...Bach told his students of the organ, giving a rare expression to the credo of simplicity that makes his music now seem blindingly pure. Through his work there runs a thread of such subtlety and daring, such piety, passion and genius that the musical world stands before it-as Mendelssohn once did-in a "reverie of wonder." The final questions on the interpretation of such music, as Gould, for one, is quick to agree, are better addressed to clergymen than pianists. In an Age of Anxiety, Bach's music is a voice of reassurance...
...group will perform Haydn's Symphony No. 44, known as the "Mourning Symphony," and will give the first local performance of Mendelssohn's Symphony No.1 (actually his 13th...
...lights in the recording studio were dimmed, and Vorsetzer, the 700-Ib. pianist, stood at the keyboard of the Steinway concert grand, all 88 fingers poised over the keys. Then the mechanical wizard began to play - first a spirited Josef Hofmann performance of Mendelssohn's Rondo Capriccioso, then further seances with Leschetizky, Paderewski, Busoni, Mahler, Saint-Saens, Debussy, Ravel. Guided by electric impulses from a collection of unique piano rolls, Vorsetzer's sensitive fingers produced all the notes with ghostly perfection, just as the turn-of-the-century masters had played them 50 years be fore. But this...
...repertory of 1,200 numbers goes from spirituals to Bach, Beethoven and Mendelssohn. Backed up by the 10,000-pipe tabernacle organ, with Veteran Organists Alexander Schreiner or Frank Asper, the choir, nicknamed "the singing Saints," has a weight and body unexcelled in choral sound. But "we have not let this become a canned thing," says Director Condie, and he often explores more dissonant modern music. Still, his favorite is a hymn written by one who went with Brigham Young's wagon train, William Clayton, while the prairie winds blew about...