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Along with such notable starters, ticket buyers will have a choice of a second group of possible hits: All Summer Long, by Robert (Tea and Sympathy) Anderson, with John Kerr; Shakespeare's A Midsummer Night's Dream, with Mendelssohn's music and Moira Shearer's dancing; Graham Greene's The Living Room; Lunatics and Lovers, a satire on sex plays, by Sidney (Dead End) Kingsley ; Portrait of a Lady, an adaptation of the Henry James novel, with Jennifer Jones; Truman Capote's musical, The House of Flowers, with Pearl Bailey; Sam & Bella Spewack...

Author: /time Magazine | Title: The Theater: Coming Attractions | 9/20/1954 | See Source »

...Mendelssohn: Two-piano Concerto in E Major (Orazio Frugoni & Eduard Mrazek, pianists; Vienna Pro Musica Symphony conducted by Hans Swarowsky; Vox). A bright, attractive score written by Mendelssohn when he was only 15, and unperformed for more than a century. Pianist Frugoni, who tilted with a stubborn Soviet-zone librarian in Germany to bring the long-forgotten music to light (TIME, July 16, 1951), plays his part with high spirits...

Author: /time Magazine | Title: Music: New Records, may 17, 1954 | 5/17/1954 | See Source »

Other notable new releases: Bach's St. Matthew Passion, sung by the Toronto Mendelssohn Choir and soloists under the direction of Sir Ernest MacMillan (Victor-Bluebird) ; Delius' A Mass of Life, performed by the Royal Philharmonic, with choir and soloists under Sir Thomas Beecham (Columbia) ; Mozart's Concerto in A Major, played by Clifford Curzon with the London Symphony under Josef Krips (London); Mozart's Symphony No. 40, played by the NBC Symphony under Arturo Toscanini (Victor...

Author: /time Magazine | Title: Music: New Records, may 17, 1954 | 5/17/1954 | See Source »

...concluding selection, Beethoven's Septet in E-Flat, represents its creator in his wittiest and most lyrical vein. While retaining features of the older divertimento (especially in the prominent violin part), it also looks forward to the work of later composers--Mendelssohn must have known the scherzo well. Despite a few lapses in intonation, the performers gave all the energy and sparkle the septet demands, and it brought an appropriately enthusiastic response from the audience...

Author: By Robert M. Simon, | Title: Longy Spring Festival | 5/3/1954 | See Source »

During a rehearsal shortly after he had become coach, Davison asked the members to try a little Mendelssohn piece called "Der Jagers Abschied." They did it "out of curosity," and they liked it. After Mendelssohn came Bach and Palestrina and finally Stravinsky...

Author: By Bruce M. Reeves, | Title: Doc' Davison: Faith in Worthwhile Music | 3/27/1954 | See Source »

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