Word: meneghinis
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...surrounded by three goddesses who insist that he choose the fairest of them by handing her an apple (Golden Delicious, supplied by Sherry's Restaurant). The goddesses, of course, are the three reigning sopranos who, season after season, vie for favor at the Met-Zinka Milanov, Maria Meneghini Callas and Renata Tebaldi...
...Sopranos. Tebaldi's rising star inevitably collided with the fiery trail of Maria Meneghini Callas. When they both embarked on South American tours in 1951, an ill-advised concert manager placed them on the same program in Rio, and Tebaldi slipped in several encores-in flagrant violation, Callas claimed, of a no-encore agreement. At a supper party, Callas charged Tebaldi with this and other sins, lectured her for her recent flop in Traviata. "We parted," says Tebaldi, "with a certain coldness...
Then, without mentioning his name. Bernstein singed the war bonnet of New York Herald Tribune Critic Paul Henry Lang, 56, professor of musicology at Columbia University, who had scolded Maria Meneghini Callas and Tenor Daniele Barioni for singing flat in their first-act duet in La Traviata (TIME, Feb. 17). The pitch was dropping so fast at one point, Critic Lang had written, that it seemed as if the singers were about to land in the conductor's lap. Bernstein's complaint about this display of "great authority and chilling wit": Barioni was indeed...
...readers of TIME'S 1956 cover story on Maria Meneghini Callas will remember (if not, see cut), the diva can sing like a bird and feud like a fishwife. Front pages ever since have attested to her tantrum power, and there have been moments when the sounds of her critics almost obscured the sound of her voice. But last week, in her first Metropolitan Opera appearance of the season, Callas the singer soared above Callas the shrew, and sang Traviata with an impassioned poignancy unmatched in years. See Music, Diva's Return...
When Maria Meneghini Callas, in a gleaming white hoopskirt gown, stepped demurely before the Metropolitan Opera's golden curtain after the first act of Verdi's La Traviata last week, plainclothesmen planted themselves at the head of the aisles near the stage. Nobody was sure who was supposed to be protected from what, but the cops' presence was clearly unnecessary. On her first Met appearance this season, Soprano Callas carried the house from the moment she lifted her first note across the orchestra...