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music by Howard Ashman, Allan Menken and Tim Rice...

Author: By Danielle A. Phillip, CONTRIBUTING REPORTER | Title: Aladdin: Disney's Latest Charm | 12/3/1992 | See Source »

...film employs the songwriting abilities of the late Howard Ashman, Alan Menken and Tim Rice, whose melodious gifts give the story comedic ambiance. Ashman and Menken were the musical team behind past animated hits The Little Mermaid and Beauty and the Beast, for which they won two Oscars, two Golden Globes and two Grammys. Tony Award winning lyricist Tim Rice collaborates with Alan Menken on three of the songs...

Author: By Danielle A. Phillip, CONTRIBUTING REPORTER | Title: Aladdin: Disney's Latest Charm | 12/3/1992 | See Source »

...songs have an entirely different flavor than those of The Little Mermaid and Beauty and the Beast. "One Jump Ahead," by Menken and Rice, evokes the frenzy of the chase as Aladdin eludes the palace guard through the streets of the mythical kingdom of Agrabah. "A Whole New World," also by the creative team of Menken and Rice and performed by Brad Kane and Lea Salonga (Miss Saigon), propels us on an exciting magic carpet ride with Aladdin and Princess Jasmine...

Author: By Danielle A. Phillip, CONTRIBUTING REPORTER | Title: Aladdin: Disney's Latest Charm | 12/3/1992 | See Source »

THIS IS A LOVE SONG, OF COURSE. Aladdin the street rat is taking Princess Jasmine on a flight into the liberating skyland of first love. But the Tim Rice lyric, riding the lush carpet of Alan Menken's melody, also defines the sorcery of movie animation. Artists wave the wand of a pencil over a piece of paper and, like the most genial genie, create unbelievable sights, indescribable feelings. "Don't you dare close your eyes!/ A hundred thousand things to see!/ Hold your breath, it gets better...

Author: /time Magazine | Title: Aladdin's Magic | 11/9/1992 | See Source »

...studio was just regaining its animation stride in 1989 when lyricist Howard Ashman (who with Menken wrote the songs for The Little Mermaid and Beauty and the Beast before dying of AIDS last year) suggested a Disney cartoon musical of the Aladdin story. After he wrote six songs and a story treatment, Musker and Clements (The Adventures of the Great Mouse Detective, The Little Mermaid) took over. But something was wrong with the story. "It just wasn't compelling," Katzenberg says. "Aladdin's journey didn't engage." At first, the hero had a mother with a personality forceful enough...

Author: /time Magazine | Title: Aladdin's Magic | 11/9/1992 | See Source »

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