Word: menuhin
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...mediocre at 20." Given parental idiosyncrasies, the denial of childish games, the pressures of concert life, it is a won der any of them survive at all. Yet they do. Beethoven, Mozart and Mendelssohn made it and, since Rubinstein's emergence, so have Violinist Yehudi Menuhin, Conductor Lorin Maazel and Pianist Lorin Hollander, among others. Three of the latest entrants in the prodigy sweepstakes...
Bruch: Two Violin Concertos (Yehudi Menuhin, soloist, plays Concerto No. 1 in G Minor and No. 2 in D Minor, London Symphony Orchestra, Sir Adrian Boult conducting, Angel; $5.98). The G Minor Violin Concerto was an instant success, but to Max Bruch's sorrow his second violin concerto won only initial acclaim that soon faded. While the world applauded the G Minor, the neglected D Minor remained Bruch's favorite. Now Yehudi Menuhin has recorded the pair in a performance of such luscious tone and melodic charm that even Bruch's duckling is at last a swan...
...death in 1967 at the age of 71, he had handed down his extraordinary platinum flute to her. She was not just the queen of the flute, but one of the world's two or three finest concert flutists, male or female. In 1971, Shaffer and Pianist Hephzibah Menuhin gave the world premiere of the new work at a benefit for Philadelphia's Settlement Music School, with Copland in attendance. Last week in New York, Shaffer recorded the work for Columbia Records, this time with Copland, 72, at the piano...
Last month, at the international music congress in Moscow, U.S. Violinist Yehudi Menuhin voiced a daring wish. "May we yet live to see the day," said Menuhin. "when every human being can dwell where his heart calls, whatever his creed." That is no more than is guaranteed under Article 13 of the Universal Declaration of Human Rights, of which the Soviet Union is a signatory. But it is more than Moscow dares grant its citizens, and so not a word of Menuhin's speech was printed in the Soviet press...
...seemed to be music-criticism time in Russia-with special emphasis on the backhanded compliment. U.S. Violinist Yehudi Menuhin, in Moscow for a congress of the International Music Council, said that he thought Soviet music was moving toward a "certain measure of sophistication." It used to be that "only one approach was tolerated," explained Menuhin. "But now they are beginning to see that there may be two or more approaches to anything. That is what I mean by sophistication." Also in Moscow, Russian Poet Yevgeny Yevtushenko commented on the sound of the great Duke Ellington, whose band has been packing...