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Born. To Crown Prince Harald of Norway, 36, son of King Olav V, 70, and a great-great-grandson of Britain's Queen Victoria; and Crown Princess Sonja, 36, a dress merchant's daughter who married Harald in 1968 in spite of King Olav's opposition: their second child, a hoped-for prince; in Oslo...

Author: /time Magazine | Title: Milestones, Jul. 30, 1973 | 7/30/1973 | See Source »

...chastity" with her decision, at play's end, to forsake the convent and wed the Duke? Still, her two lengthy interviews with Angelo, in the first half of the play, are, both intellectually and dramatically, the two great scenes in the work (partly adumbrated by Portia in The Merchant of Venice). Christina Pickles, in her debut with the AST, could use a wider vocal range: but she does manage to summon up a good deal of force in her second confrontation with Angelo...

Author: By Caldwell Titcomb, | Title: Philip Kerr Excels in 'Measure for Measure' | 7/2/1973 | See Source »

...Wine Merchant Rod Pearson of Brentwood, Calif., suggests an alternative: "A Château Haut Bergy 1967 at $6 won't be as 'complex' as a Léoville-Poyferré, but the latter does not have three times the complexity...

Author: /time Magazine | Title: Modern Living: In Vino Paupertas | 6/25/1973 | See Source »

Lumet's direction strives to give to material that is neither edifying nor suspenseful a fake profundity, stretching it to unconscionable lengths. But at least he allows his actors plenty of room to roam. Connery's confession to his wife (Vivien Merchant) of his long struggle to save his sanity, and her recognition of unconscious complicity with the forces that are driving him crazy, is a gripping scene, full of what might be termed home truth. Trevor Howard, as a fellow officer investigating Connery, plays an almost equally strong scene as he tries to get Connery...

Author: /time Magazine | Title: Cinema: Offencive | 6/4/1973 | See Source »

...London critics who have mocked and vilified him during his career. He kills each of them in a quite elaborate and grisly fashion, every slaughter based on a scenario provided by the Bard: one hapless critic, for example, has his heart cut out (the pound of flesh in The Merchant of Venice), another is stabbed to death on the Ides of March. Worst torture of all, perhaps, is that the poor struggling wretches must listen to Lionheart declaim passages from the pertinent play before he kills them. Besides Price, who is at his most enjoyably fulsome, the large cast includes...

Author: /time Magazine | Title: Cinema: Quick Cuts | 5/21/1973 | See Source »

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