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...Merci, Merci'." In Manhattan. United Nations' Secretary-General Dag Hammarskjold, Democrat-at-Large Adlai Stevenson. New York's Governor Nelson Rockefeller and ex-Governor Averell Harriman paid homage at the general's hotel suite in what the New York Herald Tribune called a "little summit.'' Henry Cabot Lodge, U.S. Ambassador to the U.N., honored De Gaulle in his own language; Mayor Wagner, not to be outdone, quoted from Victor Hugo; and the New York Times ran the complete text of De Gaulle's speech in French. For dinner, the Waldorf's candlelit...

Author: /time Magazine | Title: National Affairs: Vive Chicago! | 5/9/1960 | See Source »

...Francisco added clusters of balloons to ticker tape, as citizens turned out in numbers that Chief of Police Thomas Cahill said hadn't been matched in 30 years. De Gaulle stood upright in a pale-blue convertible, chopping the air in two-handed greeting and murmuring "Merci, merci" as he bobbed his head from side to side. His aides had to brush off the confetti as he pulled up at the city hall for the Marseillaise and a word from Mayor George Christopher. Returning from a chilly tour of San Francisco Bay aboard a Coast Guard gunboat...

Author: /time Magazine | Title: National Affairs: Vive Chicago! | 5/9/1960 | See Source »

...usually opens on a serious note, a protest song that may be Jerry or Darlin' Cora or Tol' My Captain. He goes on from there to shouters (Lead Man Holler), love songs (I Do Adore Her), songs of thanksgiving (Merci Bon Dieu), an Israeli Hora (Hava Nageela). Belafonte has developed a remarkable emotional pantomime to match the content of his songs. In John Henry, he hunches his tall, lithe body (6 ft. 2 in., 185 Ibs.) in a half crouch, knots his fists, launches into the verses with teeth clenched and a spasmodic toss of his head...

Author: /time Magazine | Title: HEADLINERS: Lead Man Holler | 3/2/1959 | See Source »

...Plume generally favors the international language of leers and leaps, pratfalls and double takes, cupboards and manholes. In a season deafened with the rat-tat-tat of drearily mechanical gag shows, this alone would call for modest thanks. But, in La Plume's case, the quality of merci is not strained; the show shines by more than contrast. If a fair number of its exhibits fall rather flat, even they have high spots to fall from, and acrobatic performers...

Author: /time Magazine | Title: The Theater: New Revue in Manhattan, Nov. 24, 1958 | 11/24/1958 | See Source »

...when the phone rang in the Cannes hotel room of Jean Cerrone, company manager of Manhattan's touring American Ballet Theatre. The news: a twelve-ton truck carrying most of the company's gear had gone up in flames. Cerrone mumbled "Merci," went back to sleep, 15 minutes later woke up again in a horrified double take. By the time he got to the scene of the fire, all the company's wardrobe trunks had been destroyed, along with scenery and props for twelve ballets, plus orchestra scores for four. Total damage, mostly coveted by insurance: about...

Author: /time Magazine | Title: Show Business: Ballet from the Ashes | 8/18/1958 | See Source »

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