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Word: mercutio (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...author's second attempt at tragedy, the play is at times literarily self-conscious and structurally too obvious in its symmetrical balance. Every idea has its complement: love vs. hate, day vs. night, patience vs. impetuosity, chastity vs. bawdry, and so on. Every character has its foil: Romeo and Mercutio, Juliet and Roasline, Benvolio and Tybalt, Friar Laurence and the Nurse. If it is not a supreme achievement, it is still a great play; and let us be thankful we have...

Author: By Caldwell Titcomb, | Title: Romeo and Juliet | 6/29/1959 | See Source »

...biggest disappointment is the Mercutio of William Smithers, who has proven himself a good actor elsewhere. Here he is a total failure; and much of the blame must fall on director Landau. Not for nothing does Mercutio share five letters with Mercury; but there is nothing mercurial about Smithers' performance. Mercutio is an airy, sparkling, zestful, witty chap; Smithers is none of these. Too bad, for the role is so rich that it bids fair to top that of Romeo himself--wherefore Shakespeare had to kill him off on two counts...

Author: By Caldwell Titcomb, | Title: Romeo and Juliet | 6/29/1959 | See Source »

...Mercutio did Shakespeare give the celebrated Queen Mab speech, one of the great virtuoso arias in the language. Smithers delivers this faery monologue in a slow, sloppy, slovenly manner, with no heed to what he is saying, when the speech should be, in Mercutio's own words, "as thin of substance...

Author: By Caldwell Titcomb, | Title: Romeo and Juliet | 6/29/1959 | See Source »

...from any magnificence of voice or roll of theatrical thunder, but from a projection of feeling, a rush of psychological light. Moving from Youth through Manhood to Old Age, he plays many parts. Few will complain that he includes a host of warhorses-Hamlet's best soliloquies, Mercutio's Queen Mab speech, an abdicating Richard II, a sleepless Henry IV, a dying Lear and John of Gaunt. A few may wonder why Gielgud includes numerous sonnets and not a single lyric, only to decide that he prefers his Shakespeare, even when most poetic, in a personalized context...

Author: /time Magazine | Title: The Theater: New Recital on Broadway, Jan. 12, 1959 | 1/12/1959 | See Source »

...Mercutio, Thomas Lumbard did well enough, but one felt he might have played his bawdy jokes less like an English professor and more like an old-time burlesque comedian...

Author: By Hiller B. Zobel, | Title: The Play's the Thing | 8/14/1957 | See Source »

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