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Maybe so. Or then again, maybe not. For when Meredith Johnson (Demi Moore) charges Tom Sanders (Michael Douglas) with harassment after he rejects her advances and then risks his future at DigiCom, the software company where they're jostling for position, by leveling the same charge at her, their case starts to become more singular than paradigmatic. For it develops that she has something more than a desktop (or should one say laptop?) frolic in mind when she invites him up to her office for an after-hours meeting. In essence, she's trying to turn him into a corporate...

Author: /time Magazine | Title: CINEMA: Sex! Controversy! Box Office! | 12/19/1994 | See Source »

...presentations--made by Porter University Professor Helen Vendler, Professor of English and Comparative Literature Barbara Johnson and Assistant Professor of English and of History and literature Meredith McGill--demonstrated how literary studies should and must draw on a variety of disciplines which might at first appear to be unrelated to the text being analyzed...

Author: By David B. Lat, | Title: Fun For Smart People | 11/1/1994 | See Source »

...team is led by seasoned veteran and Heps in door 800-meter champion Karen Goetze. Also coming off of successful track seasons from last year are Meredith Fitzgerald, who took third in the Heps outdoor 3000 meter event, and Jenny Martin, who finished fifth in the indoor mile...

Author: By Amit A. Tiwari, | Title: Harriers Head to 'Biggest Meet of Year' | 10/28/1994 | See Source »

...This is definitely the first meet of the season where we feel like we have something on the line," senior Meredith Fitzgerald said. "Now is the time that we want to start racing intensely...

Author: By Jill L. Brenner, | Title: Thinclads will Host H-Y-P Triangular | 10/14/1994 | See Source »

...resist the aesthetic dominance of the late, great Alvin Ailey, whose masterworks were mostly composed to black music and whose themes were rooted in African-American history. The austere, abstract work of Ralph Lemon, 42, for example, owes a clear visual debt to such white Post-modern experimentalists as Meredith Monk and Trisha Brown. With their sense of order and symmetry, Lemon's dances even resemble the plotless ballets of George Balanchine, in spirit if not vocabulary. When a friend in Denver challenged Lemon to create a piece with a black theme, Lemon demurred, but a chance meeting with...

Author: /time Magazine | Title: The Beauty of Black Art | 10/10/1994 | See Source »

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