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Which is not to deprecate the individual performances, which are generally quite good. Ellin Merhbach is wonderful as Laurie, the lewd bank-teller; she's titillated by the vortex, but she's got enough common sense to avoid its bottom. Michael Escamilla's lazy affected drawl is the perfect voice of doom, and he fills the part of Charlie completely. Maggie Topkis, for the most part, pulls off her characterization of Carol as the tough but sensitive New York Jewish earth mother. Alex Pearson is adequate as the seductive con on the make; if he has some problems, it might...

Author: By Paul A. Attanasio, | Title: Aesthetic of Cool | 11/17/1980 | See Source »

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