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...Hello, Dolly! went on to become Broadway's longest-running musical, with 2,844 performances (My Fair Lady is second with 2,717). Channing was followed in Dolly's role by Ginger Rogers, Martha Raye, Betty Grable, Pearl Bailey, Phyllis Diller and, finally, by Ethel Merman, who belted out the final hellos last week and then took the final curtain calls. "I feel sad and happy," said Ethel, "it's a bittersweet ending...

Author: /time Magazine | Title: People, Jan. 11, 1971 | 1/11/1971 | See Source »

Ellen Berman's sensitive Ethel Merman-like portrayal of the Blessed Mother is one of the strengths of the show. She takes snapshots at the Last Supper, genuflects compulsively after the Resurrection, and belts out "The Dove that Done Me Wrong" -she says of her unborn Child, "Well, it'll either be some sort of strange bird, or the Savior of the World" -with an eerie operatic raunchiness. Kay Tolbert's Mary Magdalene is a good-natured whore; her number, "You Can't Get a Man with a Prayer" ("God is just an abstraction/I need a little action "), places...

Author: By Martin H. Kaplan, | Title: Blasphemy The Greatest Musical Ever Sung at Dunster House November 19-21 | 11/19/1970 | See Source »

...middle of this eddying pool of dollar bills, long lines, and Clive Barnes reviews floats Hello Dolly. longest running musical on Broadway. Hello Dolly is about money. It makes money for stars and producers: it concerns a widow remarrying money. The current Dolly (does it really matter?) is Ethel Merman. She looks like an inflated scarecrow and struts about on stage in absolute refusal to act. As she blows kisses to the middle-aged ladies, recites her lines in a clarion voice, and charms a grey, indeterminate audience, it becomes apparent that no one but the chorus members-least...

Author: By Laurence Bergreen, | Title: Theatre Losing the Charles | 11/3/1970 | See Source »

...Fair Lady's record as the longest-running musical on Broadway. Way back on Jan. 6, 1964, Carol Channing opened the show. After nine months, Ginger Rogers took over; then came Martha Raye, Betty Grable, Pearl Bailey (and an all-black cast), Phyllis Diller, and now Ethel Merman, who has extended her contract to Dec. 26, 1970. Considering Dolly's longevity, the question arises, who's next? Producer David Merrick has it figured out. "Liberace. And we can call it Hello, Bruce!" He was not entirely kidding. He has already offered the part to another man -Jack...

Author: /time Magazine | Title: People: Sep. 21, 1970 | 9/21/1970 | See Source »

...show might have built more impact from a brazen dynamo in the role of Mama Minnie Marx, àla Ethel Merman in Gypsy. As it is, Shelley Winters ambles through the part rather than animating it. She seems preoccupied, as if she smelled something burning in the oven rather than...

Author: /time Magazine | Title: Theater: No Madness in these Marxes | 4/13/1970 | See Source »

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