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...finest Broadway shows of all time, "Annie Get Your Gun," has now become one of MGM's biggest shows of all time. This just about sums up the difference: where Ethel Merman and Co. were superb, Betty Hutton and Co. are simply loud and active...

Author: By John R.W. Smail, | Title: THE MOVIEGOER | 6/21/1950 | See Source »

Broadway's trumpet-voiced Ethel Merman, who will play a party-throwing lady diplomat in a forthcoming musical (Call Me Madam), showed up an hour and 40 minutes late for a dinner engagement with party-throwing Perle Mesta, U.S. Minister to Luxembourg. Reported Ethel afterwards: "We wound up with our arms around each other, yak-yaking to beat the band. A real swell dame...

Author: /time Magazine | Title: People: Hearth & Home | 6/12/1950 | See Source »

...please that she threatens to carry it too far. She plunges into her first two numbers like a bronco out of a rodeo pen, filling the screen with so much motion that it is hard to listen for the words-and impossible to ignore the singer. She lacks Ethel Merman's craftiness with comedy, but along with her unbridled vitality, she gives the role something that brassy Ethel Merman never attempted: she kindles the love story with poignancy, makes it seem something more sincere than a musicomedy plot. In a slow, sentimental number like They...

Author: /time Magazine | Title: Cinema: This Side of Happiness | 4/24/1950 | See Source »

Impatient but determined, Betty had prayed, pleaded and plotted for the role of Annie from the time she saw Ethel Merman do it in the 1946 Broadway hit. She never doubted she would get it, even after M-G-M outbid Paramount, her home studio, for the film rights. With Judy Garland cast in the lead and shooting already begun, Betty still insisted on betting an M-G-M executive that she would play the part...

Author: /time Magazine | Title: Cinema: This Side of Happiness | 4/24/1950 | See Source »

...nova explodes above the Great White Way with enough brilliance to reillumine the whole gaudy legend of show business. In 1938 an impish little brunette named Mary Martin took New York by storm one night when she sang a song called My Heart Belongs to Daddy. In 1930 Ethel Merman stood in front of the footlights in Manhattan's Alvin Theater, bellowed Gershwin's I Got Rhythm in a voice like a fire siren, and blew the audience right out of its seats. Before her, a gawky torch singer named Fanny Brice and a twinkle-toed dancer named...

Author: /time Magazine | Title: The Theater: The Wonderful Leveling Off | 1/9/1950 | See Source »

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