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Music by Ruby Newman, introductions by Heywood Broun '10, "schnozzle" by Durante, songs by Ethel Merman, and satire at the expense of Harvard will be part of the bill of fare at the first annual Gridiron Show and Ball of the Boston Newspaper Guild at the Hotel Statler, Thursday evening, January...

Author: NO WRITER ATTRIBUTED | Title: Harvard to Be Satirized at Hub Newspapermen's Show | 1/17/1939 | See Source »

...Dineen, Boston newspaperman and author of "Ward Eight" has written the script for "Misprints of 1938" lampooning prominent events and figures. In addition to Jimmy Durante and Ethel Merman, principal luminaries of "Stars in Your Eyes," many other screen and radio stars will be present...

Author: NO WRITER ATTRIBUTED | Title: Harvard to Be Satirized at Hub Newspapermen's Show | 1/17/1939 | See Source »

...tunes of Irving Berlin, Alice Faye and Ethel-Merman vocalize their way through a familiar but amusing version of boy-meets-boy-loses-boy-gets in the current screening of "Alexander's Ragtime Band" at the University. The story itself, showing the incredible ups and downs of show business, covers the last quarter of a century in an interesting if superficial picture of the times...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 10/17/1938 | See Source »

...vocal eccentricities of Ethel Merman and the antics of the Ritz Brothers, now a bit frayed about the edges, are the chief assets of "Straight, Place and Show," which opened yesterday at the Metropolitan. On the debit side are a great deal of fake photography, a lack of any dialogue and the galling fact that Miss Merman loses her man to Phyllis Brooks. The race track farce, similar in many ways to the Marx Brothers' "Day at the Races," reaches hilarious heights only in three or four sequences in which the Messrs. Ritz hold the screen alone...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 10/6/1938 | See Source »

...little room left for a story. In Straight, Place and Show, Damon Runyon's and Irving Caesar's fairly conventional fable about a young man (Richard Arlen), a young girl (Phyllis Brooks) and an eccentric race horse survives principally as the excuse for two songs by Ethel Merman and a steeplechase climax which, faintly reminiscent of The Hottentot (1920), is one of the most suspenseful and certainly one of the funniest cinema sequences ever filmed at famed Santa Anita track. Typical shot: Ritz No. 3 turning off the lights during a wrestling match so that Ritz...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 3, 1938 | 10/3/1938 | See Source »

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