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...Broadcast of 1936 (Paramount), a collection of specialty acts by radio entertainers, might have been much more satisfactory if its producers had not insisted on incorporating them into a story. Any narrative framework designed to include Amos 'n' Andy, Ray Noble, Ethel Merman, Henry Wadsworth, Lyda Roberti, Burns & Allen, Sir Guy Standing, Mary Boland, Charles Ruggles, Jack Oakie, Ina Ray Hutton and her Melodears, Wendy Barrie, Bing Crosby, the Vienna Choir Boys and Bill Robinson could scarcely be distinguished for its spontaneity. The device which shackles them together in The Big Broadcast is a "tele-radio...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 23, 1935 | 9/23/1935 | See Source »

...Broadcast" lacks the novelty of the last "Big Broadcast." It is obvious, however, that the producers have attempted to make up the shortcoming in big names. It is somewhat disconcerting to the inveterate moviegoer to see such stars as Ruggles and Boland, Amos and Andy, Burns and Allen, Ethel Merman and Jessica Dragonette doing bits...

Author: NO WRITER ATTRIBUTED | Title: CRIMSON PLAYGOER | 9/19/1935 | See Source »

Anything Goes. The funniest man (Victor Moore) and woman (Ethel Merman) on the musicomedy stage, with Cole Porter tunes...

Author: /time Magazine | Title: Theatre: Best Plays in Manhattan, Mar. 18, 1935 | 3/18/1935 | See Source »

...story revolves about the inheritance of a sum of $77,000,000 to which Eddie is the rightful heir. The intrigue comes through the efforts of a couple of grafters (Ethel Merman and Warren Hymer), a scheming Virginia colonel (Burton Churchill) and an Egyptian potentate (Jesse Block) to do our hero out of the legacy. Eddie is pushed off the deck of a transatlantic liner, dangled over a steaming cauldron of oil and generally pushed around, but in the end he flies accidentally from Egypt to New York with the treasure clutched in his arms and all the city...

Author: By J. A. I., | Title: The Crimson Playgoer | 12/17/1934 | See Source »

From time to time Anything Goes pauses in its narrative maze of mistaken identities and lovers' misunderstandings to turn lyrically topical. For example, Miss Merman sings this chorus of the theme song...

Author: /time Magazine | Title: The Theatre: New Plays in Manhattan: Dec. 3, 1934 | 12/3/1934 | See Source »

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