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Word: mervyn (lookup in dictionary) (lookup stats)
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...Angeles outdid the earlier receptions. But a crowd fully as big as Boston's turned out to cheer California's Patton and Co-Hero Jimmy Doolittle. That night, 100,000 crowded into the Coliseum for a mammoth reception engineered by Hollywood Producer Mervyn...

Author: /time Magazine | Title: HEROES: 24-Star General | 6/18/1945 | See Source »

...high as $1,000,000 for the screen rights. Hedy Lamarr and Lauren Bacall and Greta Garbo have all tried to persuade their bosses to buy it for them. (In the play, as first written, Anna and her family were Polish.) Among the top bidders are David Selznick and Mervyn LeRoy. Yet Yordan refuses to sell Anna Lucasta at any price unless he is allowed to co-produce the picture...

Author: /time Magazine | Title: The New Pictures, May 7, 1945 | 5/7/1945 | See Source »

Metro-Goldwyn-Mayer's screen presentation of Lieutenant Ted Lawson's bestseller, "Thirty Seconds Over Tokyo," is a sincere and restrained record of heroism in this war. Director Mervyn LeRoy wisely lets the dramatic quality of Major General Doolittle's remarkable feat develop naturally, unmarred by overdone Hollywood heroics...

Author: NO WRITER ATTRIBUTED | Title: MOVIEGOER | 1/5/1945 | See Source »

...acting honors in this film go to several Chinese patriots, without acting experience, whom Producer Zimbalist and Director Mervyn LeRoy recruited chiefly in San Francisco-a literary scholar, a dealer in antiques, etc. In their probity of demeanor and feeling, they offer a beautiful testimonial to their nation, and testify, as well, to the magnificent possibilities of using non-actors far more generally in films. The acting of the professionals (including Spencer Tracy as Colonel Doolittle) is also sincere and creditable. It is most pleasing, perhaps, in the case of Van Johnson, whose handling of his largest and most serious...

Author: /time Magazine | Title: The New Pictures, Dec. 4, 1944 | 12/4/1944 | See Source »

...Graham Greene's fast-paced, improbable story (Went the Day Well?) to a slow-moving, improbable film. Oldtime Director Cavalcanti, heretofore much admired by cinesthetes as a shrewd theorist of sound, is not helped much by William Walton's* undistinguished score, was not wise in splattering Prologist Mervyn Johns's excellent speeches with cheery bird noises...

Author: /time Magazine | Title: The New Pictures, Jul. 10, 1944 | 7/10/1944 | See Source »

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