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Adapted by Aben Finkel and Sidney Sutherland, two able ex-journalist scenarists, directed by Mervyn LeRoy and acted, with characteristic authority, by Paul Muni, it would be rational to expect Hi, Nellie to be plausible. Instead it is another anthology of expletive improbabilities. The city room of the Times-Star is conducted as though it were a day nursery. The girl (Glenda Farrell) who precedes Bradshaw as "Nellie Nelson" is overfond of inelegant cliches like "So you can't take it." When Bradshaw sits down to write a column, he does it with one sheet of paper...

Author: /time Magazine | Title: Cinema: The New Pictures: Feb. 12, 1934 | 2/12/1934 | See Source »

...inner tomb was opened he was bitten by a mosquito, scratched the bite, died of infection. A Canadian university professor visited the tomb, died of sunstroke the next day. Two Roentgenologists, summoned to x-ray the mummy, died before they reached Egypt. Lord Carnarvon's halfbrother, the Hon. Mervyn Herbert, one of the first to enter the inner tomb, died, as did the Hon. Richard Westbury, wrote "I can't stand any more horrors," jumped to his death from a window. During his funeral the hearse killed an 8-year...

Author: /time Magazine | Title: Science: A Curse on a Curse | 2/5/1934 | See Source »

...Mervyn Herbert...

Author: /time Magazine | Title: Science: A Curse on a Curse | 2/5/1934 | See Source »

Married. Doris Warner, 21, eldest daughter of Harry M. Warner of cinema's three Warner Bros.; and Mervyn Leroy, 33, Warner director (Little Caesar, Five Star Final, I Am a Fugitive from a Chain Gang); elaborately, in Manhattan's Waldorf-Astoria Hotel. Father Warner's gift was a sound film of the wedding...

Author: /time Magazine | Title: Milestones, Jan. 15, 1934 | 1/15/1934 | See Source »

Satevepost stories, nor because of Mervyn LeRoy's competent direction. It is entirely because of the presence in its cast of an old lady whose preposterous career makes the happy ending in Tugboat Annie seem comparatively realistic and whose flamboyant character makes the people she impersonates seem pallid reflections of herself. Seven years ago Marie Dressier was an impoverished "bit part" actress, nervously consulting astrologers as to the advisability of opening a Paris hotel in the hope that friends who remembered when she was a famed stage comedienne might patronize it enough to keep her comfortable...

Author: /time Magazine | Title: Cinema: Tugboat Annie | 8/7/1933 | See Source »

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