Search Details

Word: meryll (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...gang of bank-robbing thugs with monikers like "the Reverend" (John A. Coe), "the Professor" (Robert Weil) and "Mammy" (Benjamin Rayson). They are all kept in line by Dr. Nakamura (Tony Azito), a Fu Manchu look-alike who speaks only in sibilants. Enter a Salvation Army lassie, "Hallelujah Lil" (Meryl Streep), who falls for Bill. After that, romance vies with comic havoc...

Author: /time Magazine | Title: Theater: Salvation in a Gin Mill | 6/13/1977 | See Source »

...Agitprop. The players invest the slapdash plot with wit and perfect timing. Wheeling on crutches necessitated by a recent stage fall, Lloyd's Bill has a saturnine piratical mien worthy of Long John Silver. Though slightly reedy of voice, Meryl Streep renders the Brecht lines with impeccable intelligence. The marvel of the evening is the Kurt Weill score, arguably superior to that of The Threepenny Opera...

Author: /time Magazine | Title: Theater: Salvation in a Gin Mill | 6/13/1977 | See Source »

...Cherry Orchard is the most farcical of Chekhov's major works, and the cast (including George Voscovec, Raul Julia, Cathryn Damon, Marybeth Hurt and Michael Cristofer) whoops and tumbles through it with exaggerated zest. Especially delicious is Meryl Streep's housemaid Dunyasha, all borrowed gentility and sexual flutter...

Author: /time Magazine | Title: Milestones: Magnified Gestures | 2/28/1977 | See Source »

...Meryl Streep slowly overcomes a role she was not meant for - Isabella, the hysterical novice who is asked to sell her virtue to Angelo to save her brother's life. Lenny Baker is hilarious as Lucio, advocating lechery in the accents of Will Rogers. Director John Pasquin keeps the play moving, even through those last toyings with fate and shotgun marriages whereby the playwright pastes a sickly grin on this mask of tragedy and squa lor. Measure for Measure was Shakespeare's poison-pen letter to the world...

Author: /time Magazine | Title: The Theater: License in the Park | 8/23/1976 | See Source »

Beginning the play as an erstwhile rakehell son, Henry (Paul Rudd) ends it as the lord of two realms who is planning to father an heir. The purpose of that utterly beguiling last-act courtship scene with Katherine (Meryl Streep) is, apart from statecraft, to show us that he has triumphantly undergone the arduous initiation rites of manhood...

Author: /time Magazine | Title: The Theater: End As a Man | 7/12/1976 | See Source »

Previous | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | Next