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Despite gaps in their statistics, Hollister and Palmer have swept away some economic cobwebs. Their findings add to the growing body of evidence that the nation's biggest economic dilemma is how to mesh full employment with price stability. The U.S. needs to find a more effective way of aiding its poor than simple economic expansion. The poor's gains may be only temporary, and inflation reduces the living standards of the seven-eighths of the population that do not live in poverty...

Author: /time Magazine | Title: Business: How Inflation Helps--and Hurts--the Poor | 11/28/1969 | See Source »

INDIANS. Playwright Arthur Kopit has taken up the cause of the American Indian and has tried to mesh segments of a vaudeville-styled Buffalo Bill Wild West show with segments of Hochhuth-Brechtian didactic polemicism. The idea is to spank the audience while making it laugh, but the whole thing refuses to cohere. Stacy Keach, however, plays Buffalo Bill with relish, flamboyance and charm...

Author: /time Magazine | Title: Television: Nov. 7, 1969 | 11/7/1969 | See Source »

Immediately pickets formed at each of the entrances, moving swiftly with arms linked. Inside the building, about ten people-the I-Labs are open 24 hours a day an shifts change at 8 a. m.-could be seen in the doorway watching picketers through metal mesh window guards...

Author: By Carol R. Sternhell, | Title: Police Rout NAC Pickets In Protest at M. I. T. Lab | 11/6/1969 | See Source »

INDIANS. Playwright Arthur Kopit has taken up the cause of the American Indian and has tried to mesh together segments of a vaudeville-styled Buffalo Bill Wild West show with segments of Hochhuth-Brechtian didactic polemicism. The idea is to spank the audience while making it laugh, but the whole thing refuses to cohere. Stacy Keach plays Buffalo Bill with relish, flamboyance and charm...

Author: /time Magazine | Title: Television: Oct. 31, 1969 | 10/31/1969 | See Source »

...trust his images. Often unable to articulate his feeling in a line, he immersed a scene in a shadow. Some of the prints, like "The Adoration of the Shepherds: A Night Piece," are almost completely black. A box-like lamp, held by a shepherd sends light shimmering through the mesh of lines on the surface of the paper. Only the faces glow from the mysterious night in the stable. The artist expressed the wonder of the people present by unifying them in darkness...

Author: By Cynthia Saltzman, | Title: Rembrandt Rembrandt: Experimental Etcher at the Museum of Fine Arts through Nov. 7 | 10/31/1969 | See Source »

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