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...soon as she enters these men's lives, Charity becomes engulfed in romantic cliché and extraneous musical numbers. Romantic ballads (some not originally in the stage version), a marching ode to love, and production numbers concerned with psychedelic religions and swank night clubs simply do not mesh with the picture's original motif. Luckily, most of these songs are splendid in themselves--but the ultimate effect is one of uneasiness...

Author: By Frank Rich, | Title: Sweet Charity | 2/15/1969 | See Source »

Dwight Eisenhower. Now he will be responsible for overseeing the development of domestic programs. How his mandate will mesh with that of Moynihan-who is a liberal Democrat with no personal ties to Nixon-is unclear. A division of labor could be established in which Burns concentrated on broad, long-range policy while Moynihan remained responsible for the day-to-day coordination of programs...

Author: /time Magazine | Title: Nation: A NEW ADMINISTRATION EASING IN | 1/31/1969 | See Source »

...really made a musical out of The Apartment--not yet, anyway. They've been able to work songs in here and there--some knockout numbers among them--but when the plot descends into the nitty gritty of suicide, recovery, redemption and love triumphant, the book and score don't mesh. There is even a sizeable stretch in the middle of the second act where the music disappears altogether...

Author: By James Lardner, | Title: Promises, Promises | 10/10/1968 | See Source »

...instrumental break in "Armenia, City in the Sky" as being "perfectly true to the harmonic structure of the song as well as perfectly integrated kinetically into it." However that may be one can only testify that the song is a poetic evocation of a soaring mood and the electronic mesh of sound contributes powerfully to the spirit of the song. Townshend has done other wonderful things with his electronic control--on 'Out in the Street' one of the Who's earliest recordings there is a flickering gash of feedback that jars the listener into total awareness, on 'Call Me Lightning...

Author: By Sal I. Imam, | Title: The Who | 8/13/1968 | See Source »

...team's poor record. Nearly everywhere, often without even consciously thinking about it, city dwellers are adjusting their lives, their residences and their jobs to the fear of physical violence. Parks that once were playgrounds on hot summer nights are now virtually empty. Iron bars and heavy mesh cover exposed windows, while doors are double-and triple-locked...

Author: /time Magazine | Title: Nation: POLICE: THE THIN BLUE LINE | 7/19/1968 | See Source »

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