Word: mesopotamians
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...very proud of his collection of battle-axes. He was not so bad once you had resigned yourself to the fact that you were in for occasional cataloguings of his armourystone axes, copper axes, bronze axes, double-bladed axes, faceted axes, polygonal axes, scalloped axes, hammer axes, adze axes, Mesopotamian axes, Hungarian axes, Nordic axes, and all of them looking pretty moth-eaten. It was his wife we objected to. Her name was Leda, but he called her Tip. She was very small and her hair, eyes, and skin though naturally of different shades, were all muddy. She seldom...
Despite their startlingly modern appearance and realistic technique, the portraits happen to be among the oldest painted likenesses in the Western world. Earlier Egyptians and Mesopotamian peoples depicted their kings and pharaohs with rigid stylization; Greeks in the age of Pericles idealized the human face and form. It was not until the era of Alexander the Great that realism of any kind became fashionable. From the many Hellenistic and Roman busts of marble that have survived we know how the ancients saw and depicted themselves. But the moist climates of Greece and Italy have long since sent most classical paintings...
...discovered the first time around in the Mesopotamian city of Ga-Sur, about 200 miles north of Babylon...
...Madagascar and reared in Rangoon. It was easy enough to believe. After two martinis and an expense-account steak, Barbra's Pharaonic profile and scarab eyes suggest the Aswan High Dam, Nefertiti, and the whole Afro-Asian bit. Some minor poets have even brooded over her fathomless Mesopotamian stare, as if her unique countenance could only have developed somewhere between the Tigris and the Euphrates. In truth, however, she was born and raised between Newtown Creek and the Gowanus Canal...
...proposed by France's Minister of Culture André Malraux and begun this year in the superb volume Sumer: The Dawn of Art (TIME, June 2), is continued with an equally lavish book on Assyria. The grim, skilled art of the warrior peoples who fought in the Mesopotamian valleys-it includes magnificent lion hunts as well as gloomy strings of captives-has never been presented better. Familiar bas-reliefs are well done in black and white, and quite unfamiliar wall paintings are reproduced, for the first time in any book, in excellent color. The moody, beautifully tinted paintings were...