Word: messagera
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Dates: during 1950-1950
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Unanimous in Geneva. The kind of natural singer whose effortlessness and grace make singing seem easy, she warmed up on the seldom-heard Recitative and Aria of Messagera from Monteverdi's Orfeo. She soared sweetly in Scarlatti's Le Violette, then navigated the vocal rapids of an aria from Handel's Joshua with sureness and poise. In a full, flowing voice, at its darkest the color of a ripe Spanish olive, she sang easily (if a trifle affectedly) through a group of German lieder and on to the songs of her native Spain. In her last encore...
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