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Word: messes (lookup in dictionary) (lookup stats)
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...Mostellaria” takes place during the day in which Theopropides (played by A. Benet Magnuson ’06), father of Philolaches (Frederick C. Brown ’06), comes home. There are slaves to deal with the mess, but more difficult to explain is the disappearance of large amounts of money, much of which went to buy the freedom of Philematium (Claire E. Catenaccio ’07), Philolaches’ favorite prostitute...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Updates to Classic Amuse the Modern | 4/25/2005 | See Source »

...HUPD officers reported to the Science Center in response to a report alleging that a person had knocked over a trash barrel and was making noise. Although the responding officers could not locate the individual, they notified the building’s facility staff of the mess the knocked-over barrel had made...

Author: By Robin M. Peguero, CRIMSON STAFF WRITER | Title: Police Log | 4/25/2005 | See Source »

...over political realities like the farm animals in a Chagall landscape. When Kolya Rodchenko (Baryshnikov) is "welcomed back" by the KGB, he is put in the custody of Raymond Greenwood (Gregory Hines), a black tap dancer who defected from the U.S. after Viet Nam. Poor Raymond is a neurotic mess; glamorous Kolya has the nimble tread of melancholic star quality. Raymond agonizes about his family back home; Kolya never visits or mentions the family he must have left stranded. Raymond hates U.S. politics, but the disco beat pulsing from Kolya's tape deck calls him home. Good idea, Ray, since...

Author: /time Magazine | Title: Cinema: Dancing down the Steppes | 4/18/2005 | See Source »

...dancers assume a common attitude in all the pieces. With their hiips thrown forward, shoulders back, they keep up an air of citified cool as they move about the stage. Like mythical hipsters, they mark out their territory, while their body language and facial expression flippantly warn not to mess...

Author: By Cara B. Eisenpress, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Urban Takes Center Stage | 4/18/2005 | See Source »

Perhaps audience response reached its peak when Graffiti’s finale degenerated into an interactive dance party. At that time, performers pulled audience members on to the stage until it became a mess of different groups and individuals, each moving in their own way but still contained by the space and unified by the loud music. For the moment, the Loeb Ex was transformed into its own mini-city, one definitely worth the visit...

Author: By Cara B. Eisenpress, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Urban Takes Center Stage | 4/18/2005 | See Source »

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