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Word: meta (lookup in dictionary) (lookup stats)
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Which is all well and good, but Craven doesn't seem satisfied with such commentary and fright-nighting; in Scream 2, he insists on going that one step more meta on our ass. Reenactments of reenactments of movies of movies. References to conversations about classes about sequels to movies existing in both our world and this alternative world that has the fictional slasher flick, Stab...

Author: By Nicolas R. Rapold, CRIMSON STAFF WRITER | Title: 'Scream 2' Goes One Step More Meta, But We're Reaching Saturation | 12/12/1997 | See Source »

...when the screen is increasingly peopled by young guys...who haven't lived--not really lived--more than a day and a half their whole lives and are therefore about as inherently interesting as garden slugs." Which means, to take this up a level to the world of "meta," that interesting for a real guy is living rough, driving dangerously, dressing well. Manliness is beginning to come into clearer focus than I bargained...

Author: By Talia Milgrom-elcott, | Title: Discovering Manliness in Mather | 11/20/1997 | See Source »

...notable performances by Ahana Kalappa '01 as Gertrude and Jay Chaffin '00 as Laertes), it perhaps presumes too much ignorance of the plot on the audience's part. But whether seen by a Shakespearean novice or aficionado, Groundlings contributes greatly to our understanding of Hamlet and all its many meta-dramatic implications...

Author: By Joshua Derman, CRIMSON STAFF WRITER | Title: No Exit: Insightful Student-Written Play Shows Audience Complicity | 10/24/1997 | See Source »

Although the notion of Hamlet as meta-drama isn't new to theater (i.e. Stoppard's Rosencrantz and Guildenstern are Dead), Groundlings puts a clever and original spin on Shakespeare's nihilistic drama. Clamence indicts Roulleau for having watched a play, taken vicarious pleasure in the characters' lives, and ultimately refused to take a stake in its consequences. His trial thereby acquires a metaphorical character, addressing the purpose of theater in modern society and the nature of its relationship with its audience. In one tirade, Clamence likens Roulleau's behavior to our usual reaction to TV news...

Author: By Joshua Derman, CRIMSON STAFF WRITER | Title: No Exit: Insightful Student-Written Play Shows Audience Complicity | 10/24/1997 | See Source »

Wired's Kelly disagrees. "A federal privacy agency would be disastrous! The answer to the whole privacy question is more knowledge," he says. "More knowledge about who's watching you. More knowledge about the information that flows between us--particularly the meta information about who knows what and where it's going...

Author: /time Magazine | Title: INVASION OF PRIVACY | 8/25/1997 | See Source »

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