Search Details

Word: meta (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Toffler deals in what he might call meta-cepts. He divides history into three waves: the agricultural, the industrial and a rising Third Wave, driven by computer technology that threatens to transform the way most of the world lives and thinks. It is a world of "info-spheres," "techno-spheres," "biospheres" and "psycho-spheres." A Third Wave society would be "de-massified" by computer-controlled factories that retool easily and make standardization obsolete. The traditional financial ties between producers and consumers would be altered to create "prosumers" who could make and maintain goods for their...

Author: /time Magazine | Title: Books: Blip Reading | 3/24/1980 | See Source »

...Meta Sienkiewicz College Station, Texas

Author: /time Magazine | Title: Letters, Feb. 7, 1977 | 2/7/1977 | See Source »

...take me to the five-and-dime and buy me a ribbon for my hair or a plastic duck to sail in the bath. I limited my life to him." So says Meta Carpenter Wilde, 69, recalling her 18-year romance with Novelist William Faulkner. From the day they met in 1935, when she was a script girl and he an impoverished, hard-drinking writer trying to earn some money in the movies, the pair kept their passion one of Hollywood's quietest affairs. Now Meta is telling all, both in November's Los Angeles magazine...

Author: /time Magazine | Title: World: Happy, Happy, Happy | 11/15/1976 | See Source »

...Peckinpah's film Straw Dogs has been the subject of much criticism recently, but perhaps the strongest reaction is Garrett Epps' description of the film as "classic fascism." This phrase is clarified as "the quest for the meta-experience of violence as a validation of existence." I'm uncertain what that sentence means exactly, but it appears at least to be neutral between repression and liberation...

Author: NO WRITER ATTRIBUTED | Title: PECKINPAH AS STRAW MAN? | 5/15/1972 | See Source »

...misuse of the word to call this rationale fascism. Pauline Kael called Straw Dogs "a fascist work of art." It is. Its director. Sam Peckinpah uses the actors and the camera to teach his lesson with skill and finesse. The lesson, however, is classic fascism: the quest for the meta-experience of violence as a validation of existence, along with a contempt for and brutalization of women...

Author: By Garrett Epps, | Title: Neo-fascist Movies | 5/1/1972 | See Source »

Previous | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | Next