Word: metalized
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...Beacon consisted of nothing but that sort of thing, a long visit would feel like being swatted all day with the complete works of Hegel. But Dia also collects much juicier artists. John Chamberlain's hunks of automobile metal, cut and welded, crushed and painted, build multicolored bridges between Abstract Expressionism and Pop. Not far from his galleries, there's a mini-show of Agnes Martin's delectable paintings, broad washes of color over a rectangular gridwork of lines drawn with a slightly trembling pencil. Something sings across those shivering wires. Dia also has the space to present some...
...Nothing could be further removed from Judd's mute boxes than the psychodrama of Bourgeois's sculptural pieces, with their sources in the clammiest corners of the psyche and in the meat and moisture of the human body. In recent years she has been showing variations on an enormous metal spider. The one at Dia: Beacon, wedged into a brick-lined confinement, is the best, and best displayed, of any of them, holding in its grip a cage in which you see tattered tapestries that recall the ones Bourgeois's family repaired as a business...
...Chino Moreno were a girl--and he'll probably take this the wrong way--he would be Christina Aguilera. The nu-metal that Moreno yawps as lead singer of Deftones is the masculine obverse of Aguilera's teen pop; both are gender-and age-specific modes of musical expression about sex, self-doubt and self-pity. Both tend to be pretty awful. But Moreno, like his Dirrty doppelganger, is perceived as being a cut above his peers, mainly because he can sing and occasionally because he can think...
...hurricane of guitar, Moreno sings, "I get all numb/We're the same numb/And it brings our knees to the earth." It's not subtle, but then it doesn't objectify anybody, and it has a winner of a hook. That is probably the most we can ask of nu-metal...
...Chino Moreno were a girl - and he'll probably take this the wrong way - he would be Christina Aguilera. The nu-metal that Moreno yawps as lead singer of the Deftones is the masculine obverse of Aguilera's teen pop; both are gender- and age-specific modes of musical expression about sex, self-doubt and self-pity. Both tend to be pretty awful. But Moreno, like his Dirrty doppelgänger, is perceived as being a cut above his peers, mainly because he can sing and occasionally because he can think. The Deftones' self-titled fourth album has enough...