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...YORK—On a tranquil Sunday morning on the Columbia University campus, an unbefitting line forms outside of Uris Hall. Inside, security teams inspect bags, check IDs, and wield metal-detecting wands at perplexed students, professors, and members of the community. But those entering the building aren’t here to see a world leader or big-name celebrity—the day’s attraction is a conference addressing anti-Semitism charges that have riven the Columbia community recently...

Author: By Javier C. Hernandez, CRIMSON STAFF WRITER | Title: Columbia's Middle East Crisis | 3/11/2005 | See Source »

...front of the camera is reminiscent of an eighteen-year-old asking for a first date. They live in the bombed-out pleasure palace of Uday Hussein, and if not for the uzis and the uniforms, some of the scenes almost evoke Animal House—pool parties, death metal T-shirts, rat chases around the cluttered floor of what looks like a dorm room...

Author: By Susan E. Mcgregor, CRIMSON STAFF WRITER | Title: Movie Review: Gunner Palace | 3/10/2005 | See Source »

...this disjunction Palace aims to explore. Against inserted radio clips of Donald Rumsfeld’s pronouncements of progress in Iraq, the sequences of the soldiers’ assignments reveal that their duties and equipment remain unchanged. Days are spent patrolling the streets of Baghdad in scrap-metal-sided Humvees (armor deftly satirized by one soldier as guaranteed to “slow the shrapnel down so that it stays in your body instead of going clean through it?...

Author: By Susan E. Mcgregor, CRIMSON STAFF WRITER | Title: Movie Review: Gunner Palace | 3/10/2005 | See Source »

Animators gave themselves a challenge when dreaming up a film starring robots and machinery. Metal lacks the plasticity that characterizes truly innovative CGI animation (think of the inflatable frog in Shrek). Instead, the animated humor relies on dismemberment as outmoded robots fall apart, giving the entire cartoon an air of morbidity...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Movie Review: Robots | 3/10/2005 | See Source »

...fact, the film even takes a stab at Orwellian allegory to appeal to mature viewers, presenting scrap metal plants resembling hell, eugenic overtones of destroying the “rusty” robots, and depictions of corporate greed. However, there’s nothing morally provocative or intellectual about the film; it’s just uninteresting to adults and frightening to children. And once one of those emotionally unstable midgets start crying, they...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Movie Review: Robots | 3/10/2005 | See Source »

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