Word: metallic
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Dates: during 1990-1999
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DIED. LARRY LAPRISE, 83, songwriter; in Boise, Idaho. LaPrise was playing ski lodges when he co-concocted the ideal entertainment for hyperactive children and rhythm-impaired adults: The Hokey Pokey (1949), which had a nation putting various extremities in, out and about. Big-band and heavy-metal versions followed--as LaPrise was hokey-pokeyed out of a fortune. Having sold his rights for a song, he became a postal worker...
...jail. He did have one notable hobby, though: "I remember Ted had the know-how of putting together things like batteries, wire leads, potassium nitrate and whatever and creating explosions," recalls his boyhood friend Dale Eickelman, now a Dartmouth professor. The boys detonated explosives in fields or in a metal garbage can, using ingredients they could scrounge around the house or buy at the hardware store...
...driving cross-country from New York. By the ominous tones of the radio talk jocks broadcasting from their coastal outposts, I half expected bands of crazed militiamen to stop me at the border. After demanding a password (Justus), they'd search my car for treasonous articles: heavy-metal or rap tapes, condoms, crack, high school textbooks that mention evolution. Once I was checked through and free to go, the men would give a crisp salute before proceeding to open fire on an oncoming Volvo with California plates...
...libraries on campus, it is Lamont which is most conducive to studying. Lamont is a no-nonsense, no frills library. There are but a handful of cushy chairs; only the most minimal carpeting is used. Lamont is built from concrete and starkly adorned with linoleum floors and metal bookcases. It's a utilitarian box which has the slogan "Glue your butt to the chair" etched into its walls. Lamont provides students with the serious study space which undergraduates welcome as their necessary refuge...
...artificial and unreal if your work did not become very different too." One consistent element in Koolhaas' buildings, however, is a relaxed attitude toward detailing and a willingness to use extremely cheap materials. In Kunsthal, an art gallery in Rotterdam, he used unfinished concrete and corrugated plastic for walls, metal grids for flooring, naked fluorescent tubes for lighting and tree trunks for pillars and a balustrade. "Architecture is always the encounter of vision and circumstance," he says. The Dutch, Koolhaas explains, don't believe in spending a lot of money on buildings. "So there's no choice but to build...