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Word: metallicized (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

^ A. I am a native daughter of Los Angeles. I remember when it was like a tropical fishing village. There is so little tradition here that it lends itself to experimentation. No one's been watching for so long that you don't have to worry about taboos. Los Angeles...

Author: /time Magazine | Title: KATE BRAVERMAN: From The Tropic of L.A.: Novelist and poet | 11/20/1989 | See Source »

That music is admirably presented by Kent Nagano, 37, a long-maned Californian who has guest-conducted widely and won a solid reputation for his performances of works by such contemporaries as Olivier Messiaen and Steve Reich. His reading of Mahagonny is sharp, clear and briskly energetic (even a bit...

Author: /time Magazine | Title: Music: Ferocious Parable | 9/25/1989 | See Source »

Harvard theater has a way of bringing out the foolishness in us all. In the Lowell Society's twin productions of The Great Catherine and Tom Thumb the Great, silliness is the name of the game. Queens wear metallic platform shoes, cats purr to the tunes of Andrew Lloyd Weber...

Author: By Esther H. Won, | Title: Double Good, Double Pleasure | 4/14/1989 | See Source »

Sybilla's fancies include ball gowns with little metal fish falling from the folds; ear-shaped buttons securing, with just a hint of discretion, a sexy blouse; a shawl with fabric flowers sprouting from the shoulders. Sure, some of this is stuff you wear on a dare. But be warned...

Author: /time Magazine | Title: Living: A Look on the Wild Side | 1/16/1989 | See Source »

Artists, often quite dissimilar ones, share common sources. The themes of pastoral delight, installed in Venetian art by Giorgione (represented here with one rare, very rubbed drawing) and given monumental form by Titian, spread south and north through the influence of the Giorgionesque engravers Giulio and Domenico Campagnola. Watteau copies...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

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