Word: metallism
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Never a group to rest on its laurels, Metallica, the only old-school metal outfit that still truly rocks, releases a November album for the third consecutive year with S & M, a live recording of the epic concert they held with the San Francisco Symphony last April. It's a risky experiment, but the double disc, which sprawls over 21 tracks, shows that the gambit paid off. The sheer lyrical power of the orchestra blends seamlessly with Metallica's music to staggering effect, as the booming brass and ghostly strings give songs like "Wherever I May Roam" and "For Whom...
...richer and more satisfying than Garage Inc., last fall's covers album, S & M is Metallica's ultimate creative venture. The casual metal listener or non-Metallica aficionado may not understand what all the fuss is about, but still, consider yourself rocked to the bone...
...instructions. Every performance is a continuation of the last and uses audio and sometimes visual recordings of previous shows as raw material to be recombined. The musicians incorporate these samples with new, acoustically-produced sounds using a variety of instruments (including guitars, cello, slide whistles, digeridoo and sheet metal). For the show, the group will be playing with two guest saxophonists, Jon Natchez '99 and Adam Schneit...
...spears of lead, each tipped with its own character. The tables look beset by a plague of silver locusts. When the letters have been collected they are laid flat on the bed of the press, where the text is meticulously spaced out and held together by flat strips of metal called 'furniture'. The arrangements of this spacing material form the almost invisible choices of margin and indentation--these are the most crucial work of the printer. As Hulsey puts it, in setting a line of a poem the difference between its looking right and looking wrong is sometimes less than...
...minimalist set contributes to Machinal's ambiguity. The space in the Loeb Ex space is incredibly intimate and close to the audience, yet the careful use of grays and silvers by Glenn Reisch '00 creates a sense of sterility. Hanging from the ceiling are square, metal mobiles with twisted coils, contributing to the sensation that human feeling can only be repressed for so long, just as the metal coils may snap at any time. Throughout the show, the set remains a reconfiguration of five sliver boxes reminiscent of the inside of a combustion engine, a few gray and silver wood...