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Word: metallize (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Another Biochem 10a student said the cold metal chairs made the situation even more uncomfortable and he had trouble concentrating because he had to keep putting his hands in his pockets...

Author: NO WRITER ATTRIBUTED | Title: Students Complain About Mem Hall Cold Drafts | 1/20/1982 | See Source »

...edifices promote noble accomplishments? Speaker Brown thinks that they are an inspiration. "In these incredible surroundings," he said, "I suspect that most of us will rise above anything we thought we were capable of doing." That sentiment was echoed by Silversmith Mindermann, who is now working in a sheet-metal shop. "You drive by," he says, "and you look up at it, and you can't help feeling anything but proud...

Author: /time Magazine | Title: Design: Cheers for a Born-Again Capitol | 1/18/1982 | See Source »

...Sculptor Kenneth Price, 46. But where Mason's work is rocklike and lumpen totemic. Price's involves an elegant denial of clay's earthen nature. His sharp-angled, cubistic "cup" sculptures look so machined and precise that they might have been conceived in metal; the brilliant visual punch of the industrial glazes in De Chirico's Bathhouse, 1980, accentuated by the thin white lines where the facets of clay meet, gives these tiny objects a mysterious, artificial density...

Author: /time Magazine | Title: Art: Molding the Human Clay | 1/18/1982 | See Source »

...hold it steady by means of ropes (the three lines at the bottom). A fourth would grab hold of the ring at the end of the other rope (the line at the top). The device worked like a camera lens, the areas between the lines in the drawing being metal blades. When the rope with the ring was pulled, the lens would close, and the child would be decapitated. A portable guillotine. But it wasn't the soldiers who worked the device. It was the children...

Author: /time Magazine | Title: Embracing the Executioner | 1/11/1982 | See Source »

...borrowed Prospero's wand. He conjures up scenes of potent magic that prove as evanescent as dreams. What is palpably dazzling merges imperceptibly with razzle-dazzle. The sheer richness of the surrounding technique and texture blanches the text. Robin Wagner's scenic design consists of stark metal, light-crammed towers that move and revolve to form a kaleidoscope of geometric patterns. Costumer Theoni V. Aldredge must have purchased her swatches from a rainbow merchant to fashion the slinky, sequined gowns, and Tharon Musser's lighting is a palette of explosive colors...

Author: /time Magazine | Title: Theater: Sorcerer of Shubert Alley | 1/4/1982 | See Source »

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