Word: metaphor
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Dates: during 1970-1979
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LUST IS THE metaphor for the human condition in Philip Roth's novel, The Professor of Desire. His story of a young man's effort to arrive at sexual and romantic happiness is funny, written with a pungent Rabelasian wit, but marked by an underlying not of wistfulness. He portrays a dissatisfation almost inherent in living, the incompatibility of passion and peace and the transcience of happiness...
...essential desire of constructivism -from De Stijl to the Bauhaus in Germany, and particularly with the Russian avant-garde in its flowering through the early years of the revolution-was to construct a beauty that could not be found in nature. Only one metaphor was allowed to intrude into the garden of absolute form: that of the machine. The dynamics of manufacture supplied, for Russian constructivism, the prototype of revolution This permitted Tallin, Rodchenko, El Lissitzky and others to create, during the first years after the Soviet Revolution, the only radical art of the 20th century that meshed with radical...
...military becomes more of a metaphor for Scorton's life than running was for the delinquent in Sillitoe's earlier book, sometimes to the detriment of Widower's Son. Sillitoe tries to convey the idea of a gunnery officer's precision-oriented life with the most heavy-handed, redundant descriptions in the book. The emotional emptiness of William's retreat into the army, however, is that he retains a nostalgia for his home town but always feels the needs to be "mobile," usually desires to go overseas where, he believes, a soldier belongs...
...still incubating, the author has already uncovered a significant anecdote: "A member of Israeli intelligence told me that he once climbed a telephone pole, snipped the lines on one side with a wirecutter, turned to the other side, severed those?then went down with the telephone pole. A central metaphor for the area...
...will have to see the play to hear the ending, but suffice it to say that by the finale you'll see vaudeville as having taken on a symbolism of its own. The vaudeville format becomes a free and easy amoral metaphor depicting life as nothing but a flesh-pot carnival of the bizarre, where nearly everyone is a con man looking out for number one, and even a bit of free sympathy is hard to come by. The technique reminds one of "Cabaret", but the fast razzle-dazzle is custom-made Chicago...