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...Dammit) used tons of smoke, incense and cement dust to reproduce a sense of murky antiquity. Yet there is little doubt that, in scenes like the death of a patrician couple who prefer suicide to inevitable political assassination, Fellini is attempting to render this vast fresco as a giant metaphor for the 1960s. "If Petronius' work is a full-blooded description of the atmosphere of those times," Fellini admits, "the film that I adapted from it is a panorama, an allegorical satire of our present-day world. It is a science-fiction film projected into the past...

Author: /time Magazine | Title: Directors: Petronius, 20%; Fellini, 80% | 9/12/1969 | See Source »

...peroration, Lilith-lyrically evoked by Joan Plowright-broods on the results of human history and concludes: "It is enough that there is a beyond." It may be enough for Lilith, but it is not for the play. The ascetic longevity of the ancients is, of course, Shaw's metaphor for a nobler human development. But for this metaphor to be effective, the audience must will it into life, like a sort of metaphysical Tinker Bell. Faced with an imagined future where imperfect infants are put to death, where sex is outgrown at the age of four and where life...

Author: /time Magazine | Title: The London Stage: Metaphysical Tinker Bell | 8/15/1969 | See Source »

When the Psalmist sang "O Lord, how manifold are thy works!" (104:24], he saved for his climactic example the whale-nature's piece de resistance and everybody's favorite metaphor. But the whale, alas, is referred to more often than studied. A century ago, Herman Melville could say of the sperm whale, "His is an unwritten life." Then he proceeded to write it, of course...

Author: /time Magazine | Title: Books: Mighty Mystery | 8/15/1969 | See Source »

...hostile each night around the campfire, where a lot of authentic marijuana dialogue goes on. Like Western heroes, they are isolated in travel from their natural environment; the trail lies on the landscape, but is never one with it; they are always just passing through. It's a good metaphor for the expatriate sensibility that has grown up among young people, a new landlessness, an acute sense of dispossession. Wyatt wears a leather jacket with an American flag stitched on the back; Billy calls him Captain America. The land of the free is not only locked in convulsion now that...

Author: By Joel Haycock, | Title: Easy Rider | 8/12/1969 | See Source »

...Wayne saw it, the Alamo was a metaphor for America. There was Mexicans and there was Us, there was black and there was white. "They tell me every thing isn't black and white," complains Wayne. I the hell...

Author: /time Magazine | Title: Cinema: John Wayne as the Last Hero | 8/8/1969 | See Source »

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