Search Details

Word: metaphores (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

There is nothing wrong with this familiar yet entertaining tale, or with Hanna Schygulla's finely shaded and often sensuous portrayal of the protagonist. The trouble stems from Fassbinder's belief that Maria can serve as a damning metaphor for modern Germany's Economic Miracle. Since his style expresses complex emotions and ambiguous political history in broad theatrical gestures, he never makes his case. Eventually the strain between form and content becomes irritating. The final shot is a portrait of Chancellor Helmut Schmidt, who is thus equated with the film's opening image of Hitler...

Author: /time Magazine | Title: Cinema: High Camp | 10/22/1979 | See Source »

...film concentrates on Madison; the Wisconsin capital serves as a metaphor for America. By focusing in on one town, Silber and Brown bring to the film a unity of place and time without sacrificing national significance. The selection of Madison was a wise one since, as Barry A. Brown put it, "Everything happened in Madison, from the smallest protest to the biggest bombing." The War at Home chronicles the history of the anti-war movement and captures some of its passion and humanity...

Author: By Deirdre M. Donahue, | Title: The Madison Front | 10/18/1979 | See Source »

TIME AFTER TIME refrains from making sociological statements, except to warn against the dangers of violence. "It's catching, like measles," says Wells in a typically charming metaphor. Charming sums up the film very well, with its well-acted quips and well-edited terror. And charm is a rare commodity these days, as antiquated as voluminous petticoats, and gentlemen's agreements, and faith that man can make the world a better place...

Author: By Troy Segal, | Title: A Ripping Good Time | 10/11/1979 | See Source »

...images are so hypnotic, erotic and beautifully shot (by Vittorio Storaro) that we enter the movie's unpleasant milieu easily and remain captivated throughout. While the film is full of golden Parma landscapes, the dominant visual fixture is the moon: it is the film's metaphor for characters whose mysterious dark sides only gradually reveal themselves. In Bertolucci's brilliant climax, set at an open-air opera rehearsal, his artis tic conceits all converge. As the camera constantly shifts its point of view, we see that Luna 's events form a different drama-or opera-from...

Author: /time Magazine | Title: Cinema: Clayburgh's Double Feature | 10/8/1979 | See Source »

...this third novel (after Last Night at the Brain Thieves' Ball and Preservation Hall) Spencer builds a model of emergent love pursued to its obsessive extreme. The author constructs his tale around an apposite metaphor, catastrophic fire. Seventeen-year-old David Axelrod sets some newspapers alight on the porch of his beloved Jade's house after her parents have forbidden him to see her for 30 days. He wishes to attract attention and instead nearly incinerates Jade, her brothers and parents...

Author: /time Magazine | Title: Books: Torch Song | 10/8/1979 | See Source »

Previous | 280 | 281 | 282 | 283 | 284 | 285 | 286 | 287 | 288 | 289 | 290 | 291 | 292 | 293 | 294 | 295 | 296 | 297 | 298 | 299 | 300 | Next