Word: metaphoric
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Dates: during 1980-1989
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...takes two to tango." That is how Ronald Reagan once described the condition necessary for cooperation with the Soviet Union. The tango is just the right metaphor for diplomacy. It is performed in the formal setting of a ballroom, to the vigorous but stately measure of 4/4 time, with a good deal of melodramatic posturing and a great variety of steps. But for the past few years, any kind of dance has been just the wrong metaphor for Soviet-American relations. The two superpowers have been circling each other warily, sometimes menacingly. If they came together, many feared, it would...
...agency in Washington stands a hot, sweaty, dirty, two-ton gorilla with a bad case of halitosis," trumpeted Texas Delegate Frank Jones Jr. "They're asking you to dance with it. I'm saying, don't do it." His colleagues took his message, if not his metaphor. They opposed more FTC oversight by an overwhelming voice vote...
...deliberately fragment the nation into separate, unassimilated groups. The movement seems to take much of its ideology from the black separatism of the 1960s but derives its political force from the unprecedented raw numbers-15 million or more-of a group linked to a single tongue, Spanish. The new metaphor is not the melting pot but the salad bowl, with each element distinct. The biculturalists seek to use public services, particularly schools, not to Americanize the young but to heighten their consciousness of belonging to another heritage. Contends Tomás A. Arciniega, vice president for academic affairs at California...
...good-natured but a touch self-smitten, is the work of Peter Sellars, 25, the director who has worked similar changes on other classics: Handel's Orlando set at the Kennedy Space Center, King Lear featuring a Lincoln Continental. (Subject for a future master's thesis: Automotive Metaphor and the Sound of Cultural Collision in the Early Work of Peter Sellars.) Sellars clearly seeks not so much to rejustify all these stage pieces as to re-examine them, even reinvent them, for a contemporary audience. What is up-to-date in The Mikado is timeless, but what...
Something pulled her over; and something gave in; and all three pairs of wings began to beat [Wiley has proposed this metaphor earlier in the proceedings]: she was the center and the source and the victim of a storm of wing beats; we were at the top of the world; the huge bird of God's body in us hovered; the great miracle pounded on her back, pounded around us; she was straining and agonized and distraught, estranged within this corporeal-incorporeal thing, this angelic other avatar, this other substance of herself...