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...book Hebrews, for instance, directly appropriates the Jewish sacrificial metaphor, except this time, Jesus is both priest and sacrifice, spilling, "not the blood of goats and calves but his own blood, thus securing an eternal redemption." The Gospel of Mark favors Roman legal language for the freeing of slaves: "the Son of Man came ... to give his life as a ransom for many." The First Epistle of Peter, meanwhile, takes a radically different tack, posing Jesus' trials as occasion for imitation: "because Christ also suffered for you, leaving you an example, that you should follow in his steps." And Paul...

Author: /time Magazine | Title: Religion: Why Did Jesus Die? | 4/12/2004 | See Source »

However, Shaq outdid even himself during the 2002 season when he voiced his displeasure with the Lakers triangle offense. O’Neal—aka “the big dog”—expressed his dissatisfaction with a metaphor that would make most poets proud...

Author: By David H. Stearns, CRIMSON STAFF WRITER | Title: THE COMMISH: What Were They Thinking? | 4/8/2004 | See Source »

Jerry's landscaping business is probably the best metaphor for what Aloft is about: he's a professional smoother-over of things, a burier of hatchets and skeletons and whatever else would look prettier covered by a manicured lawn or a bluestone patio or a Har-Tru tennis court. Of course, Lee isn't the first to point out that the suburbs hide uncharted depths of misery and discontentment--Updike, Rick Moody and John Cheever, among many others, have been here before. But Lee's portrait feels somehow more up-to-date than anything else out there, complete with postboom...

Author: /time Magazine | Title: Books: Survival in the Suburbs | 3/22/2004 | See Source »

Huntington proposes a revision to the “melting pot” metaphor that has long been used to describe the assimilation of immigrant communities...

Author: By Daniel J. Hemel, CRIMSON STAFF WRITER | Title: Critics Claim Huntington Is Xenophobic | 3/16/2004 | See Source »

Robb Moss, the Arnheim lecturer on filmmaking and the teacher of VES 51a, where Green spoke, says he finds this sequence’s retrieval of an iconic still image to be an apt metaphor for Green’s technique in The Weather Underground...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Notes from Underground | 3/12/2004 | See Source »

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