Word: metaphorical
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Dates: during 1960-1969
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...peroration, Lilith-lyrically evoked by Joan Plowright-broods on the results of human history and concludes: "It is enough that there is a beyond." It may be enough for Lilith, but it is not for the play. The ascetic longevity of the ancients is, of course, Shaw's metaphor for a nobler human development. But for this metaphor to be effective, the audience must will it into life, like a sort of metaphysical Tinker Bell. Faced with an imagined future where imperfect infants are put to death, where sex is outgrown at the age of four and where life...
...hostile each night around the campfire, where a lot of authentic marijuana dialogue goes on. Like Western heroes, they are isolated in travel from their natural environment; the trail lies on the landscape, but is never one with it; they are always just passing through. It's a good metaphor for the expatriate sensibility that has grown up among young people, a new landlessness, an acute sense of dispossession. Wyatt wears a leather jacket with an American flag stitched on the back; Billy calls him Captain America. The land of the free is not only locked in convulsion now that...
...METAPHOR which playwright Ronald Ribman has made the title of his play is not an original one. Long before him, Turgenev had likened the lives of some men to the futile effort, the useless suffering, of a fifth horse hastily harnesses to a coach and four. All its striving, the tether lacerating its back as it strains forward, is pointless...
...Wayne saw it, the Alamo was a metaphor for America. There was Mexicans and there was Us, there was black and there was white. "They tell me every thing isn't black and white," complains Wayne. I the hell...
...politics is at the bone of this play, it is the reliable old human comedy that constitutes most of its meat. Which, considering one's dealing here with a whorehouse, may be an unfortunate choice of metaphor, however crudely it does demonstrate how this particular comedy often goes. Certainly, the most hilarious bits (and they embrace a whole gamut of comedy) belong to Joan Tolentino, as Miss Gilchrist, a social worker who "takes insults in the name of our insulted saviour." Since she's more Mary Magdalen than Virgin Mary, she ends up having to take a good many...